The Historical Nights Entertainment | Page 3

Rafael Sabatini
or proprietary form, including any form resulting from conversion by word pro- cessing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (i) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
We are planning on making some changes in our donation structure in 2000, so you might want to email me, [email protected] beforehand.

*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

This Etext prepared by an anonymous Project Gutenberg volunteer.

The Historical Nights' Entertainment
by Rafael Sabatini

First Series

PREFACE
In approaching "The Historical Nights' Entertainment" I set myself the task of reconstructing, in the fullest possible detail and with all the colour available from surviving records, a group of more or less famous events. I would select for my purpose those which were in themselves bizarre and resulting from the interplay of human passions, and whilst relating each of these events in the form of a story, I would compel that story scrupulously to follow the actual, recorded facts without owing anything to fiction, and I would draw upon my imagination, if at all, merely as one might employ colour to fill in the outlines which history leaves grey, taking care that my colour should be as true to nature as possible. For dialogue I would depend upon such scraps of actual speech as were chronicled in each case, amplifying it by translating into terms of speech the paraphrases of contemporary chroniclers.
Such was the task I set myself. I am aware that it has been attempted once or twice already, beginning, perhaps, with the "Crimes Celebres" of Alexandre Dumas. I am not aware that the attempt has ever succeeded. This is not to say that I claim success in the essays that follow. How nearly I may have approached success -judged by the standard I had set myself - how far I may have fallen short, my readers will discern. I am conscious, however, of having in the main dutifully resisted the temptation to take the easier road, to break away from restricting fact for the sake of achieving a more intriguing narrative. In one instance, however, I have quite deliberately failed, and in some others I have permitted myself certain speculations to resolve mysteries of which no explanation has been discovered. Of these it is necessary that I should make a full confession.
My deliberate failure is "The Night of Nuptials." I discovered an allusion to the case of Charles the Bold and Sapphira Danvelt in Macaulay's "History of England" - quoted from an old number of the "Spectator" - whilst I was working upon the case of Lady Alice Lisle. There a similar episode is mentioned as being related of Colonel Kirke, but discredited because known for a story that has a trick of springing up to attach itself to unscrupulous captains. I set out to track it to its source, and having found its first appearance to be in connection with Charles the Bold's German captain Rhynsault, I attempted to reconstruct the event as it might have happened, setting it at least in surroundings of solid fact.
My most flagrant speculation occurs in "The Night of Hate." But in defence of it I can honestly say that it is at least no more flagrant than the speculations on this subject that have become enshrined in history as facts. In other words, I claim for my reconstruction of the circumstances attending the
Continue reading on your phone by scaning this QR Code

 / 140
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.