The Hippodrome | Page 3

after all, things might have been worse. She had found one friend already. Certainly he had disagreeable manners, especially after the artificial and invariable politeness of the Frenchmen she had met while travelling, but at least he promised to be useful. She picked herself up off the floor and began to consider the disposal of her garments. Three or four wooden pegs, the only accommodation to be seen, were obviously not sufficient to hold all her clothes.
Presently there was an interlude, provided by the advent of the landlady. Her dishevelment accorded well with the general look of the house; her slippers clicked on the carpetless boards at every shuffling step, and she carried a half-cold, slopped-over cup of coffee. To Arithelli's relief the woman was mistress of a limited amount of French patois, and in answer to a demand for a wardrobe of some kind, said she would send up her son. He was a carpenter and would doubtless arrange something. She gave a curious glance at the girl's witch-like beauty, a mixture of suspicion and barely-admitted pity in her thoughts.
As to Emile's share in the drama she had naturally formed conclusions. After a respectable interval her son arrived, and having delivered himself of a remark in Spanish and being answered in French, proceeded to hammer a row of enormous nails into the wall at regular intervals. Arithelli sat upon her trunk, which she considered cleaner than the chairs, and watched the process, her green eyes assuming a curious veiled expression, a hank of copper-tinted hair falling upon her shoulders.
There was something uncanny in her capacity for keeping still, and she had none of the usual and natural fidgetiness of a young girl. In whatever position of sitting or standing she found herself she was capable of remaining for an indefinite period.
When the carpenter's manipulations had ceased she hung up her dresses carefully, put the rest of her things back into the trunk, as being the safest place, and sitting down again began to cry in a low, painful way, utterly unlike the light April shower emotion of the ordinary woman.
Here she was in Barcelona, and the fulfilled desire seemed likely to become already Dead Sea fruit. Supposing she got ill, or failed to satisfy the audience. She would see her name to-morrow when she went out in large letters on the posters of the Hippodrome:
"Arithelli, the beautiful English equestrienne," and underneath some appalling picture of herself in columbine skirts, or jockey's silk jacket and cap and top boots.
She had been crazy with delight over her success in getting the engagement from the manager in Paris, and it had not occurred to her that her appearance had had a great deal to do with her having been accepted. She had signed a contract for a year; and looking forward a year seemed a very long time. There had been opposition at home.
Her father had said, "I don't approve, but at the same time I don't know in the least what else you can do. It's Hobson's choice. You can ride, and you've got looks of the sort to take in a public career."
Her mother had been frankly brutal. Now that there was no money, she said, she could not have three great girls at home doing nothing. She had given them all a good education and they must try and make some use of it. Neither of the younger sisters, Isobel and Val��rie, were old enough to do anything for themselves, so Arithelli at the age of twenty-four had taken her courage, which was the indomitable courage of her race, in both hands, and launched herself on the world. The bare-backed riding of her early days in Galway had proved a valuable asset, and there was not a horse she could not manage.
Her slim figure seemed born to the saddle, and her nerve was as yet unshaken.
The man who had engaged her had been more than a little astonished at the composure with which she showed off the horses' paces, and went through various tricks. As she was young and inexperienced, he would get her cheaply; she could be taught all the stereotyped acts with very little trouble, and her morbid style of beauty would be a draw in Spain.
There was nothing of the English miss about her appearance and few people would have believed her to be only twenty-four. She had no freshness, no beaut�� de diable. Her beauty was that of line and modelling. Her quietness was partly the result of a convent education. An old Irish nun had told her once that good looks were a snare and a delusion of the Devil, and that hers would never bring her happiness.
At least they had got her an engagement, and a circus had always represented to her the