The Heroic Enthusiast, Part II | Page 9

Giordano Bruno
valid and vain, according as the man worthily or unworthily puts them before himself, with the intellect, the affections and actions. As that same pilot may be said to be the cause of the sinking or of the safety of the ship, according as he is present in it or absent from it; with this difference, that the pilot through his defectiveness or his efficiency ruins or saves the ship; but the Divine potency which is all in all does not proffer or withhold except through assimilation or rejection by oneself.[H]
[H] Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you.--("St. Matthew.")
VII.
MAR. It seems to me that the following figure is closely connected and linked with the above; there are two stars in the form of two radiant eyes, with the legend: Mors et vita.
CES. Read the sonnet!
MAR. I will do so:
47.
Writ by the hand of Love may each behold?Upon my face the story of my woes.?But thou, so that thy pride no curb may know,?And I, unhappy one, eternally might rest,?Thou dost torment, by hiding from my view?Those lovely lights beneath the beauteous lids.?Therefore the troubled sky's no more serene,?Nor hostile baleful shadows fall away.?By thine own beauty, by this love of mine?(So great that e'en with this it may compare),?Render thyself, oh Goddess, unto pity!?Prolong no more this all-unmeasured woe,?Ill-timed reward for such a love as this.?Let not such rigour with such splendour mate?If it import thee that I live!?Open, oh lady, the portals of thine eyes,?And look on me if thou wouldst give me death!
Here, the face upon which the story of his woes appears is the soul; in so far as it is open to receive those superior gifts, for the which it has a potential aptitude, without the fulness of perfection and act which waits for the dew of heaven. Thus was it well said: Anima mea sicut terra sine aqua tibi; and again: Os meum operui; and again: Spiritum, quia mandata tua desiderabam. Then "pride which knows no curb" is said in metaphor and similitude, as God is sometimes said to be jealous, angry, or that He sleeps, and that signifies the difficulty with which He grants so much even as to show his shoulders, which is the making himself known by means of posterior things and effects. So the lights are covered with the eyelids, the troubled sky of the human mind does not clear itself by the removal of the metaphors and enigmas. Besides which, because he does not believe that all which is not, could not be, he prays the divine light, that by its beauty, which ought not to be entirely concealed, at least according to the capacity of whoever beholds it, and by his love, which, perchance, is equal to so much beauty (equal, he means, of the beauty, in so far as he can comprehend it) that it surrender itself to pity, that is, that it should do as those who are compassionate, and who from being capricious and gloomy become gracious and affable and that it prolong not the evil which results from that privation, and not allow that its splendour, for which it is so much desired, should appear greater than that love by means of which it communicates itself, seeing that in it all the perfections are not only equal but are also the same. In fine, he begs that it will no further sadden by privation, for it can kill with the glance of its eyes and can also with those same give him life.
CES. Does he mean that death of lovers, which comes from intense joy, called by the Kabalists, mors osculi, which same is eternal life, which a man may anticipate in this life and enjoy in eternity?
MAR. He does.
VIII.
MAR. It is time to proceed to the consideration of the following design, similar to those previously brought forward, and with which it has a certain affinity. There is an eagle, which with two wings cleaves the sky; but I do not know how much and in what manner it comes to be retarded by the weight of a stone which is tied to its leg. There is the legend: Scinditur incertum. It is certain that it signifies the multitude, number and character (volgo) of the powers of the soul, to exemplify which, that verse is taken: Scinditur incertum studia in contraria vulgus. The whole of which character (volgo) in general is divided into two factions; although subordinate to these, others are not wanting, of which some appeal to the high intelligence and splendour of rectitude, while others incite and force in a certain manner to the low, to the uncleanness of voluptuousness and compliance with natural desires. Therefore says the sonnet:
48.
I would
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