The Hampstead Mystery | Page 7

of which seemed to be accentuated by the daily operation of removing every vestige of hair from it. He had prominent grey eyes with which he was accustomed to stare fiercely when he desired to impress a suspected person with what some of the newspapers had referred to as "his penetrating glance." His companion, Rolfe, was a tall well-built man in the early thirties. Like most men in a subordinate position, Rolfe had not a high opinion of the abilities of his immediate superiors. He was sure that he could fill the place of any one of them better than it was filled by its occupant. He believed that it was the policy of superiors to keep junior men back, to stand in their light, and to take all the credit for their work. He was confident that he was destined to make a name for himself in the detective world if only he were given the chance.
When Inspector Chippenfield had visited Riversbrook the previous afternoon, Rolfe had not been selected as his assistant. A careful inspection of the house and especially of the room in which the tragedy had been committed had been made by the inspector. He had then turned his attention to the garden and the grounds surrounding the house.
Whatever he had discovered and what theories he had formed were not disclosed to anyone, not even his assistant. He believed that the proper way to train a subordinate was to let him collect his own information and then test it for him. This method enabled him to profit by his subordinate's efforts and to display a superior knowledge when the other propounded a theory by which Inspector Chippenfield had also been misled.
When they arrived at the house in which the crime had been committed, they found a small crowd of people ranging from feeble old women to babies in arms, and including a large proportion of boys and girls of school age, collected outside the gates, staring intently through the bars towards the house, which was almost hidden by trees. The morbid crowd made way for the two officers and speculated on their mission. The general impression was that they were the representatives of a fashionable firm of undertakers and had come to measure the victim for his coffin. Inside the grounds the Scotland Yard officers encountered a police-constable who was on guard for the purpose of preventing inquisitive strangers penetrating to the house.
"Well, Flack," said Inspector Chippenfield in a tone in which geniality was slightly blended with official superiority. "How are you to-day?"
"I'm very well indeed, sir," replied the police-constable. He knew that the state of his health was not a matter of deep concern to the inspector, but such is the vanity of human nature that he was pleased at the inquiry. The fact that there was a murdered man in the house gave mournful emphasis to the transience of human life, and made Police-Constable Flack feel a glow of satisfaction in being very well indeed.
Inspector Chippenfield hesitated a moment as if in deep thought. The object of his hesitation was to give Flack an opportunity of imparting any information that had come to him while on guard. The inspector believed in encouraging people to impart information but regarded it as subversive of the respect due to him to appear to be in need of any. As Flack made no attempt to carry the conversation beyond the state of his health, Inspector Chippenfield came to the conclusion that he was an extremely dull policeman. He introduced Flack to Detective Rolfe and explained to the latter:
"Flack was on duty on the night of the murder but heard no shots. Probably he was a mile or so away. But in a way he discovered the crime. Didn't you, Flack? When we rang up Seldon he came up here and brought Flack with him. He'll be only too glad to tell you anything you want to know."
Rolfe took an official notebook from a breast pocket and proceeded to question the police-constable. The inspector made his way upstairs to the room in which the crime had been committed, for it was his system to seek inspiration in the scene of a crime.
Tanton Gardens, a short private street terminating in a cul-de-sac, was in a remote part of Hampstead. The daylight appearance of the street betokened wealth and exclusiveness. The roadway which ran between its broad white-gravelled footwalks was smoothly asphalted for motor tyres; the avenues of great chestnut trees which flanked the footpaths served the dual purpose of affording shade in summer and screening the houses of Tanton Gardens from view. But after nightfall Tanton Gardens was a lonely and gloomy place, lighted only by one lamp, which stood in the high road more to mark the entrance to