his own shortcomings toward Heaven he willingly acknowledged; but he regarded his attitude toward his fellow-man as without fault. All his motives and actions proceeded from well-understood truths, and they moved in consistent and admirable grooves.
Antony had fallen upon different times, and been brought under more uncertain influences. Oxford, "the most loyal," had been in a religious ferment during his stay there. The spirit of Pusey and Newman was shaking the Church of England like a great wind; and though Antony had been but little touched by the spiritual aspect of the movement, the temporal accusations of corruption and desertion of duty were good lances to tilt against the Church with. It gave him a curiously mixed pleasure to provoke the squire to do battle for her; partly from contradiction, partly that he might show off his array of second-hand learning and logic; and partly, also, for the delight of asserting his own opinions and his own individuality.
Any other dispute the squire would have settled by a positive assertion, or a positive denial; but even the most dogmatic of men are a little conscientious about religious scruples. He had, therefore, allowed his son to discuss "the Church" with him, but in some subtle way the older man divined that his ideas were conviction; while Antony's were only drifting thoughts. Therefore, the moral strength of the argument was with him, and he had a kind of contempt for a Hallam who could be moved by every Will-o'-the-wisp of religious or Political opinions.
But Elizabeth was greatly impressed by her brother's accomplishments, and she loved him, and believed in him with all her heart. The Hallams hitherto had no reputation for mental ability. In times of need England had found them good soldiers and ready givers; but poets and scholars they had never been. Antony affected the latter character. He spoke several languages, he read science and German philosophy, and he talked such radical politics to the old gardener, that the man privately declared himself "fair cap't wi' t' young squire."
Yet after all, his dominant passion was a love of power, and of money as the means by which to grasp power. Below all his speculations and affectations this was the underlying thought. True, he was heir of Hallam, and as the heir had an allowance quite equal to his position. But he constantly reflected that his father might live many years, and that in the probable order of things he must wait until he was a middle-aged man for his inheritance; and for a young man who felt himself quite competent to turn the axle of the universe, it seemed a contemptible lot to grind in his own little mill at Hallam. He had not as yet voiced these thoughts, but they lay in his heart, and communicated unknown to himself an atmosphere of unrest and unreliability to all his words and actions.
It was soon evident that there would be little sympathy between Richard and Antony. Richard Fontaine was calm, dignified, reticent; never tempted to give his confidence to any one; and averse to receive the confidences of others; therefore, though he listened with polite attention to Antony's aspirations and aims, they made very little impression upon him. Both he and Phyllis glided without effort into the life which must have been so new to them; and in less than a week, Hallam had settled happily down to its fresh conditions. But nothing had been just as Antony expected. Phyllis was very lovely, but not lovely specially for him, which was disappointing; and he could not help soon seeing that, though Richard was attentive, he was also unresponsive.
There is one charming thing about English hospitality, it leaves its guests perfect freedom. In a very few days Phyllis found this out; and she wandered, unnoticed and undisturbed, through the long galleries, and examined, with particular interest, the upper rooms, into which from generation to generation unwelcomed pictures and unfashionable furniture had been placed. There was one room in the eastern turret that attracted her specially. It contained an old spinet, and above it the picture of a young girl; a face of melancholy, tender beauty, with that far-off look, which the French call predestinee, in the solemn eyes.
It is folly to say that furniture has no expression; the small couch, the faded work-table, the straight chairs, with their twisted attenuated legs, had an unspeakable air of sadness. One day she cautiously touched the notes of the instrument. How weak and thin and hollow they were! And yet they blended perfectly with something in her own heart. She played till the tears were on her cheeks, it seemed as if the sorrowful echoes had found in her soul the conditions for their reproduction. When she went back to her own room the influence of
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