acquaintance."
"Everybody on the boulevard knows who he is," said Ward curtly, paused, and laughed again with very little mirth. "So do you," he continued; "and as for my acquaintance with him--yes, I had once the distinction of being his rival in a small way, a way so small, in fact, that it ended in his becoming a connection of mine by marriage. He's Larrabee Harman."
That was a name somewhat familiar to readers of American newspapers even before its bearer was fairly out of college. The publicity it then attained (partly due to young Harman's conspicuous wealth) attached to some youthful exploits not without a certain wild humour. But frolic degenerated into brawl and debauch: what had been scrapes for the boy became scandals for the man; and he gathered a more and more unsavoury reputation until its like was not to be found outside a penitentiary. The crux of his career in his own country was reached during a midnight quarrel in Chicago when he shot a negro gambler. After that, the negro having recovered and the matter being somehow arranged so that the prosecution was dropped, Harman's wife left him, and the papers recorded her application for a divorce. She was George Ward's second cousin, the daughter of a Baltimore clergyman; a belle in a season and town of belles, and a delightful, headstrong creature, from all accounts. She had made a runaway match of it with Harman three years before, their affair having been earnestly opposed by all her relatives--especially by poor George, who came over to Paris just after the wedding in a miserable frame of mind.
The Chicago exploit was by no means the end of Harman's notoriety. Evading an effort (on the part of an aunt, I believe) to get him locked up safely in a "sanitarium," he began a trip round the world with an orgy which continued from San Francisco to Bangkok, where, in the company of some congenial fellow travellers, he interfered in a native ceremonial with the result that one of his companions was drowned. Proceeding, he was reported to be in serious trouble at Constantinople, the result of an inquisitiveness little appreciated by Orientals. The State Department, bestirring itself, saved him from a very real peril, and he continued his journey. In Rome he was rescued with difficulty from a street mob that unreasonably refused to accept intoxication as an excuse for his riding down a child on his way to the hunt. Later, during the winter just past, we had been hearing from Monte Carlo of his disastrous plunges at that most imbecile of all games, roulette.
Every event, no matter how trifling, in this man's pitiful career had been recorded in the American newspapers with an elaboration which, for my part, I found infuriatingly tiresome. I have lived in Paris so long that I am afraid to go home: I have too little to show for my years of pottering with paint and canvas, and I have grown timid about all the changes that have crept in at home. I do not know the "new men," I do not know how they would use me, and fear they might make no place for me; and so I fit myself more closely into the little grooves I have worn for myself, and resign myself to stay. But I am no "expatriate." I know there is a feeling at home against us who remain over here to do our work, but in most instances it is a prejudice which springs from a misunderstanding. I think the quality of patriotism in those of us who "didn't go home in time" is almost pathetically deep and real, and, like many another oldish fellow in my position, I try to keep as close to things at home as I can. All of my old friends gradually ceased to write to me, but I still take three home newspapers, trying to follow the people I knew and the things that happen; and the ubiquity of so worthless a creature as Larrabee Harman in the columns I dredged for real news had long been a point of irritation to this present exile. Not only that: he had usurped space in the Continental papers, and of late my favourite Parisian journal had served him to me with my morning coffee, only hinting his name, but offering him with that gracious satire characteristic of the Gallic journalist writing of anything American. And so this grotesque wreck of a man was well known to the boulevard-one of its sights. That was to be perceived by the nutter he caused, by the turning of heads in his direction, and the low laughter of the people at the little tables. Three or four in the rear ranks had risen to their feet
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