The Grafters | Page 3

Francis Lynde
disorderly up-anchoring there are stragglers perforce: some left like stranded hulks by the ebbing tide; others riding by mooring chains which may be neither slipped nor capstaned. When all was over there were deserted streets and empty suburbs in ruthless profusion; but there was also a hungry minority of the crews of the stranded and anchored hulks left behind to live or die as they might, and presently to fall into cannibalism, preying one upon another between whiles, or waiting like their prototypes of the Spanish Main for the stray spoils of any luckless argosy that might drift within grappling distance.
Kent stayed partly because a local attorney for the railroad was as necessary in Gaston the bereaved as in Gaston the strenuous; partly, also, because he was a student of his kind, and the broken city gave him laboratory opportunities for the study of human nature at its worst.
He marked the raising of the black flag as the Gaston castaways, getting sorrily afloat one by one, cleared their decks for action. Some Bluebeard admiral there will always be for such stressful occasions, and David Kent, standing aside and growing cynical day by day, laid even chances on Hawk, the ex-district attorney, on Major Guilford, and on one Jasper G. Bucks, sometime mayor of Gaston the iridescent.
Afterward he was to learn that he had underrated the gifts of the former mayor. For when the famine time was fully come, and there were no more argosies drifting Gastonward for the bucaneers to sack and scuttle, it was Jasper G. Bucks who called a conference of his fellow werwolves, set forth his new cast for fortune, and brought the junto, the child of sheer desperation fiercely at bay, into being.
It was in the autumn of that first cataclysmic year that Secretary Loring, traveling from Boston to the State capital on a mission for the Western Pacific, stopped over a train with Kent. After a rather dispiriting dinner in the deserted Mid-Continent caf��, and some plowing of the field of recollection in Kent's rooms in the Farquhar Building, they took the deserted street in the golden twilight to walk to the railway station.
"It was a decent thing for you to do--stopping over a train with me, Grantham," said the host, when the five squares intervening had been half measured. "I have had all kinds of a time out here in this God-forsaken desert, but never until to-day anything approaching a chummy hour with a man I know and care for."
Kent had not spoken since they had felt their way out of the dark lower hall of the Farquhar Building. Up to this point the talk had been pointedly reminiscent; of the men of their university year, of mutual friends in the far-away "God's country" to the eastward, of the Gastonian epic, of all things save only two--the exile's cast for fortune in the untamed West, and one other.
"That brings us a little nearer to the things that be--and to your prospects, David," said the guest. "How are you fixed here?"
Kent shrugged.
"Gaston is dead, as you see; too dead to bury."
"Why don't you get out of it, then?"
"I shall some day, perhaps. Up to date there has been no place to go to, and no good way to arrive. Like some thousands of others, I've made an ass of myself here, Loring."
"By coming, you mean? Oh, I don't know about that. You have had some hard knocks, I take it, but if you are the same David Kent I used to know, they have made a bigger man of you."
"Think so?"
"I'd bet on it. We have had the Gaston epic done out for us in the newspapers. No man could live through such an experience as you must have had without growing a few inches. Hello! What's this?"
A turned corner had brought them in front of a lighted building in Texas Street with a straggling crowd gathered about the porticoed entrance. As Loring spoke, there was a rattle of snare drums followed by the dum-dum of the bass, and a brass band ramped out the opening measures of a campaign march.
"It is a rally," said Kent, when they had passed far enough beyond the zone of brass-throated clamorings to make the reply audible. "I told you that the Gaston wolf-pack had gone into politics. We are in the throes of a State election, and there is to be a political speech-making at the Opera House to-night, with Bucks in the title r?le. And there is a fair measure of the deadness of the town! When you see people flock together like that to hear a brass band play, it means one of two things: that the town hasn't outgrown the country village stage, or else it has passed that and all other stages and is
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