The Gold Trail | Page 9

make a picture in itself with its little stone-ribbed windows, and the much older square tower and curtain wall that form one wing. There is a terraced garden in front, and a stream comes frothing out of a wooded ghyll at the foot of it."
Weston started, for there was no doubt that the house Kinnaird described was the one in which he had been born. As it happened, the firelight fell upon his intent face as he waited for the answer, when Miss Stirling, who had missed his start, asked a question:
"The people who owned it were friends of yours?"
"No," said Kinnaird, "I never saw them. I took the place through an agency for the rough shooting and as a change from London. They had to let it and live in a neighboring town. The result of slack management and agricultural depression, I believe."
Weston set his lips. He had written home once rejecting a proposition made him, and his people had afterward apparently forgotten him. He had made up his mind that he would not trouble them again, at least while he toiled as a track-grader or a hired man; but now, when it seemed that trouble had come upon them, he regretted many things.
Kinnaird signed to him that he might take away the plates, and he gathered them up, scarcely conscious of what he was doing, and then stumbled and dropped the pile of them. Though made of indurated fiber, they fell with a startling clatter, and Kinnaird looked at him sharply as he picked them up; but in another few moments he had vanished beyond the range of the firelight into the shadows of the bush.
Ida Stirling had, however, noticed enough to arouse a young woman's curiosity, especially as there was a suggestion of romance in it, and before she went to sleep she thought a good deal about the man she had never seen until two days ago.
CHAPTER III
THE MODEL
The morning broke clear and still across the scented bush, and Miss Kinnaird and Ida Stirling, who had been awakened early by the wonderful freshness in the mountain air, strolled some distance out of camp. For a time they wandered through shadowy aisles between the tremendous trunks, breathing in sweet resinous odors, and then, soon after the first sunrays came slanting across a mountain shoulder, they came out upon a head of rock above the river. A hemlock had fallen athwart it, and they sat down where they could look out upon a majestic panorama of towering rock and snow.
Arabella Kinnaird gazed at it intently when she had shaken some of the dew from the frills and folds of her rather bedraggled skirt.
"It will never be quite the same again," she observed, evidently in reference to the latter, and then waved one hand as though to indicate the panorama, for she was usually voluble and disconnected in her conversation. "This, as I said last night, is wonderful--in fact, it almost oppresses one. It makes one feel so little, and I'm not sure that I like that, though no doubt it does one good."
Her companion smiled.
"Aren't you going to paint it?" she asked.
Miss Kinnaird pursed up her face, which was a trick she had.
"Oh," she said, "I don't know. After all, portraiture is my specialty, and this silent grandeur is a little beyond my interpretation."
She paused, and added the next few words in an authoritative manner, as though she had a truth of some consequence to deliver:
"The difficulty is that you really can't interpret anything until you are quite sure what it means. You see, I'm feverishly restless by temperament, and accustomed to indulge in all kinds of petty, purposeless activities. They are petty, though the major calls them duties--social duties--and being, I'm afraid, a rather frivolous person in spite of my love of art, they appeal to me."
Ida said nothing. It was not necessary, and as a rule not advisable, to encourage Arabella Kinnaird when she commenced, as she sometimes described it, to talk seriously; and she rattled on:
"My dear, I'm all appreciation, and graciously pleased with the wonders that you are showing me; but still this valley strikes me as being short of something. It's too calm and quiet. Even Eden was not complete until man appeared in it, though, as usual, he made trouble shortly afterward. It is a thing he has kept on doing ever since."
Ida laughed.
"I'm not sure you're sticking to historical facts," she said.
"Facts," returned her companion, "don't count for much with me. I deal in impressions; and sometimes I feel full of them. I could astonish everybody if I could get them out; but that, of course, is the difficulty. Feeling, unfortunately, isn't quite the same thing as power of expression. Still, you asked me what I thought about these mountains, and