The Glory of English Prose | Page 4

Stephen Coleridge
time when the language was spoken and written in its most noble form, by men whose style has never been surpassed in strength combined with simplicity, has been a priceless blessing to the English-speaking race. The land of its birth, once flowing with milk and honey, has been for long centuries a place of barren rocks and arid deserts: Persians and Greeks and Romans and Turks have successively swept over it; the descendants of those who at different times produced its different books are scattered to the ends of the earth; but the English translation has for long years been the head corner-stone in homes innumerable as the sands of the sea in number.
No upheavals of the earth, no fire, pestilence, famine, or slaughter, can ever now blot it out from the ken of men.
When all else is lost we may be sure that the old English version of the Bible will survive. "Heaven and earth shall pass away, but my words shall not pass away."
Do not think it enough therefore, Antony, to hear it read badly and without intelligence or emotion, in little detached snippets, in church once a week.
Read it for yourself, and learn to rejoice in the perfect balance, harmony, and strength of its noble style.
Your loving old?G.P.
3
MY DEAR ANTONY,
I could write you many letters like my last one about the Bible, and perhaps some day I will go back to that wonderful Book and write you some more letters about it; but now I will go on and tell you about some of the great writers of English prose that came after the translation of the Bible.
Those translators were the great founders of the English language, which is probably on the whole the most glorious organ of human expression that the world has yet known.
It blends the classic purity of Greek and the stately severity of Latin with the sanguine passions and noble emotions of our race.
A whole life devoted to its study will not make you or me perfectly familiar with all the splendid passages that have been spoken and written in it. But I shall show in my letters, at least some of the glorious utterances scattered around me here in my library, so that you may recognise, as you ought, the pomp and majesty of the speech of England.
One of the great qualities that was always present in the writings of Englishmen from the time of Elizabeth down to the beginning of the nineteenth century was its restraint.
Those men never became hysterical or lost their perfect self-control.
The deeper the emotion of the writer the more manifest became the noble mastery of himself.
When Sir Walter Ralegh, that glorious son of Devon, from which county you and I, Antony, are proud to have sprung, lay in the Tower of London awaiting his cowardly and shameful execution the next day at the hands of that miserable James I., writing to his beloved wife, with a piece of coal, because they even denied him pen and ink, face to face with death, he yet observed a calm and noble language that is truly magnifical--to use the old Bible word.
"For the rest," he wrote, "when you have travailed and wearied your thoughts on all sorts of worldly cogitations, you shall sit down by sorrow in the end. Teach your son also to serve and fear God while he is young, that the fear of God may grow up in him. Then will God be a Husband unto you and a Father unto him; a Husband and a Father which can never be taken from you.
"I cannot write much. God knows how hardly I stole this time when all sleep; and it is time to separate my thoughts from the world.
"Beg my dead body, which living was denied you; and either lay it at Sherburne, if the land continue, or in Exeter Church by my father and mother. I can write no more. Time and Death call me away.
"The Everlasting, Infinite, Powerful and Inscrutable God, that Almighty God that is goodness itself, mercy itself, the true life and light, keep you and yours, and have mercy on me and teach me to forgive my persecutors and false accusers, and send us to meet in His Glorious Kingdom. My true wife, farewell. Bless my poor boy, pray for me. My true God hold you both in His Arms.
"Written with the dying hand of, sometime thy husband, but now alas! overthrown, yours that was, but now not my own.
"WALTER RALEGH."
Sir Walter Ralegh, long before he came to his untimely end, had written in his great History of the World a wonderful passage about death; it is justly celebrated, and is familiar to all men of letters throughout the world, so I will quote a portion of it for you:--
"The Kings and
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