The Girl at the Halfway House | Page 6

Emerson Hough
escape, it seemed apparent that the two had found that which they had sought. The girl, slightly in advance, ran forward a few paces, paused, and then ran back. "Oh, there! there!" she cried. And then the older woman took the girl's head upon her bosom. With bared head and his own hand at his eyes, Franklin hurried away, hoping himself unseen, but bearing indelibly pictured on his brain the scene of which he had been witness. He wanted to cry out, to halt the advancing columns which would soon be here, to tell them that they must not come upon this field, made sacred by such woe.
The column of occupation had begun its movement. Far as the eye could see, the way was filled with the Northern troops now swinging forward in the march. Their course would be along this road, across these earthworks, and over the fields between the wood and the town. The rattle and rumble of the advance began. Upon the morning air there rose the gallant and forgetful music which bade the soldier think not of what had been or would be, but only of the present. The bugles and the cymbals sounded high and strong in the notes of triumph. The game was over. The army was coming to take possession of that which it had won.
It had won--what? Could the answer be told by this chorus of woe which arose upon the field of Louisburg? Could the value of this winning be summed by the estimate of these heaps of sodden, shapeless forms? Here were the fields, and here lay the harvest, the old and the young, the wheat and the flower alike cut down. Was this, then, what the conqueror had won?
Near the intrenchment where the bitter close had been, and where there was need alike for note of triumph, and forgetfulness, the band major marshalled his music, four deep and forty strong, and swung out into the anthem of the flag. The march was now generally and steadily begun. The head of the column broke from the last cover of the wood and came into full sight at the edge of the open country. Thus there came into view the whole panorama of the field, dotted with the slain and with those who sought the slain. The music of triumph was encountered by the concerted voice of grief and woe. There appeared for the feet of this army not a mere road, a mere battlefield, but a ground sacred, hedged high about, not rudely to be violated.
But the band major was a poet, a great man. There came to him no order telling him what he should do, but the thing was in his soul that should be done. There came to him, wafted from the field of sorrow, a note which was command, a voice which sounded to him above the voices of his own brasses, above the tapping of the kettledrums. A gesture of command, and the music ceased absolutely. A moment, and it had resumed.
The forty black horses which made up this regimental band were the pride of the division. Four deep, forty strong, with arching necks, with fore feet reaching far and drooping softly, each horse of the famous cavalry band passed on out upon the field of Louisburg with such carriage as showed it sensible of its mission. The reins lay loose upon their necks, but they kept step to the music which they felt. Forty horses paced slowly forward, keeping step. Forty trumpeters, each man with his right hand aloft, holding his instrument, his left hand at his side, bearing the cap which he had removed, rode on across the field of Louisburg. The music was no longer the hymn of triumph.
Softly and sadly, sweetly and soothingly, the trumpets sang a melody of other days, an air long loved in the old-time South. And Annie Laurie, weeping, heard and listened, and wept the more, and blessed God for her tears!

BOOK II
THE DAY OF THE BUFFALO
CHAPTER IV
BATTERSLEIGH OF THE RILE IRISH
Colonel Henry Battersleigh sat in his tent engaged in the composition of a document which occasioned him concern. That Colonel Battersleigh should be using his tent as office and residence--for that such was the fact even the most casual glance must have determined--was for him a circumstance offering no special or extraordinary features. His life had been spent under canvas. Brought up in the profession of arms, so long as fighting and forage were good it had mattered little to him in what clime he found his home. He had fought with the English in India, carried sabre in the Austrian horse, and on his private account drilled regiments for the Grand Sultan, deep within the interior of a country which knew how to keep its
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