scene. Modern costumes.
This brisk and peppery farce is one of the cleanest and most hilariously amusing plays of recent years. It is the story of ambitious but impecunious youth. "Doc" Hampton, without a patient, "Stocksie," a lawyer devoid of clients, and "Chub" Perkins, a financier without capital, are in a bad way. In fact, they are broke and it is a real problem for them actually to get food. Mary Jane Smith is the heroine with the ankle. The three pals meet her first as a solicitor of funds for the poor and again as the victim of an automobile accident.
A rich relative, "Doc's" uncle, inclined to be a tightwad but good at heart, comes upon the scene and seeing Mary, immediately takes it for granted that she is his nephew's wife, having been informed by a bogus wedding invitation that the ceremony had just taken place. The fictitious wedding had been arranged by the boys in a moment of need in order to get "Doc's" family in the West to send on wedding presents that could be pawned. As his wedding present, the Uncle insists that "Doc" and Mary accompany him to Bermuda. The situation is tense, but Mary has a sense of humor, and saves the day.
(Royalty, twenty-five dollars.) PRICE 75 CENTS.
WILD WAVES
A comedy in 3 acts. By William Ford Manley. Produced originally at the Times Square Theatre, New York. 30 males, 15 females. 4 interior scenes. Modern costumes.
A rollicking farce about what transpires behind the microphone of a broadcasting studio. The most popular singing artist in Station WWVW is Roy Denny. Through some mischance it comes about that the Denny "golden voice" is really John Duffy. Duffy, being a nervous lad, has always failed miserably from microphone fright whenever he has attempted to sing under his own name. When he croons under Denny's name he kindles the divine hope in female breasts clear across this palpitating country. But Denny receives all the credit. This hoax destroys Duffy's personal love life and results in a conspiracy inside Station WWVW. As a sort of undercurrent to the narrative it introduces satiric bits about the buncombe of radio broadcasting. The play offers fine opportunities for the introduction of musical numbers and comedy acts.
(Royalty, twenty-five dollars.) PRICE 75 CENTS.
THE MIDDLE WATCH
A farcical comedy in 3 acts. By Ian Hay and Stephen King-Hall. Produced originally at the Times Square Theatre, New York. 9 males, 6 females. Modern costumes and naval uniforms. 2 interior scenes.
During a reception on board H. M. S. "Falcon," a cruiser on the China Station, Captain Randall of the Marines has become engaged to Fay Eaton, and in his enthusiasm induces her to stay and have dinner in his cabin. This is met with stern disapproval by Fay's chaperon, Charlotte Hopkinson, who insists that they leave at once. Charlotte, however, gets shut up in the compass room, and a gay young American widow accepts the offer to take her place, both girls intending to go back to shore in the late evening. Of course, things go wrong, and they have to remain aboard all night. By this time the Captain has to be told, because his cabin contains the only possible accommodations, and he enters into the conspiracy without signalling the Admiral's flagship. Then the "Falcon" is suddenly ordered to sea, and the Admiral decides to sail with her. This also makes necessary the turning over to him of the Captain's quarters. The presence of the ladies now becomes positively embarrassing. The girls are bundled into one cabin just opposite that occupied by the Admiral. The game of "general-post" with a marine sentry in stockinged feet is very funny, and so are the attempts to explain matters to the "Old Man" next morning. After this everything ends both romantically and happily.
(Royalty, twenty-five dollars.) PRICE 75 CENTS.
NANCY'S PRIVATE AFFAIR
A comedy in 3 acts. By Myron C. Fagan. Produced originally at the Vanderbilt Theatre, New York. 4 males, 5 females. 2 interior scenes. Modern costumes.
Nothing is really private any more--not even pajamas and bedtime stories. No one will object to Nancy's private affair being made public, and it would be impossible to interest the theatre public in a more ingenious plot. Nancy is one of those smart, sophisticated society women who wants to win back her husband from a baby vamp. Just how this is accomplished makes for an exceptionally pleasant evening. Laying aside her horn-rimmed spectacles, she pretends indifference and affects a mysterious interest in other men. Nancy baits her rival with a bogus diamond ring, makes love to her former husband's best friend, and finally tricks the dastardly rival into a marriage with someone else.
Mr. Fagan has studded his story with jokes and retorts that will keep any audience in a constant uproar.
(Royalty, twenty-five dollars.) PRICE 75 CENTS.
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