he was a slave to the inexorable non possumus of penury. In winter, especially, lack of work made even the provision of daily bread often difficult and sometimes impossible for him. But Friedrich Hebbel's childhood, full of hardship as it was, was not cheerless. The father did what he could; and the mother, at whatever sacrifice to herself, could nearly always do something for the children. The greatest hardship was caused by the father's hostility to these maternal concessions to childish desires; for to him, whose life was labor, unproductive use of time was a crime. He thought it a matter of course that his son should become a laboring man like himself, and it is little less than a miracle that this did not happen. The mother, to be sure, fostered the boy's more ambitious hopes; the death of the father in Hebbel's fourteenth year was perhaps a blessing in disguise; undoubtedly the happiest chance in Hebbel's boyhood, so far as external events are concerned, was the fact that he won the favor of a real teacher in his schoolmaster Dethlefsen, who not only gave his education the proper start, but also recommended him, as his best scholar, to the local magistrate, J.J. Mohr.
For nearly eight years (1827 to 1835) Hebbel was in Mohr's employ, first as an errand boy, and ultimately as a clerk, to whom more and more official business was intrusted. He lived in the household of his superior, continued in the magistrate's library the assiduous reading which he had begun with Dethlefsen's books, and acquired, along with the habits of official accuracy, something of the ways of a higher social station than that to which he had been born. His contact with the world of affairs and with litigation also considerably broadened his outlook, though it was often the seamy side of life that he saw, and his own early necessities had sharpened his sense of the essential tragedy of existence. Among the young people of the town Hebbel was as active and inventive as any; he wrote verses, took part in amateur theatricals, and was a leader in many undertakings that had not amusement as their sole object.
From the beginning Hebbel shows extraordinary sensitiveness to esthetic appeal and a disposition to dreamy imaginativeness. The Bible, the Protestant hymnal, pre-classical prose and poetry of the eighteenth century, as well as contemporary romantic fiction, including Jean Paul, Hoffmann, and Heine, touched his fancy and stirred him to emulation.
[Illustration: FRIEDRICH HEBBEL]
As a boy, he is said to have composed a tragedy _Evolia, the Captain of Robbers_, which his mother confiscated and burned. His early poems are echoes of Klopstock, Matthisson, H?lty, Bürger, and other predecessors; but especially of Schiller, whose moral seriousness and sonorous language alike inspired the serious and rhetorically gifted youth. The influence of Schiller, however, marks no epoch in the poetic development of Hebbel; it dominates the period of adolescence. The sense of poetry was aroused in him as a boy, he said, by Paul Gerhardt's hymn "The woods are now at rest" (_Nun ruhen alle W?lder_); the discovery of what poetry is he made in 1830, when he read Uhland's _Minstrel's Curse_ and perceived that the sole principle of art is not to write, like Schiller, eloquently about ideas, but "to make in a particular phenomenon the universal intuitively perceptible."
Having published poems and stories from 1829 on in a local newspaper, Hebbel, in 1831, seeking a wider audience at the same time that he longed for a larger sphere of activity, submitted specimens of his work to Amalie Schoppe in Hamburg, the editress of a fashion paper; and in this and the following years she printed a considerable number of his productions. Moreover, she took a genuine personal interest in his ambitions; and after several plans had proved abortive, she succeeded in collecting for him a small sum of money and the promise of other material aid in a plan that should give a firm foundation for the structure of his hopes: he should come to Hamburg and prepare for the study of law. Accordingly, on the fourteenth of February, 1835, he left his modest but secure position in Wesselburen for the alluring great world where he felt that he belonged, but where he was destined to toil and to suffer, in a struggle for existence which only a hardy North-German peasant could have endured.
Hebbel came to Hamburg as a young man of twenty-two, far ahead of his years in knowledge, judgment, and capacity, but still unacquainted with rudimentary things belonging to higher education, such as Latin grammar. He could not find the right tone in dealing with his benefactors, and he suffered unspeakable humiliation in the conflict of a proud and independent spirit with the subjection which inconsiderate well-wishers imposed upon him.
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