The Fruit of the Tree | Page 3

Edith Wharton
blue linen, her dusky skin
darkened by the nurse's cap, and by the pale background of the hospital
walls, she had seemed older, more competent and experienced; but he
now saw how fresh was the pale curve of her cheek, and how smooth
the brow clasped in close waves of hair.
"I began at the wrong end," he acknowledged. "But let me put Dillon's
case before you dismiss me."

She softened. "It is only because of my interest in that poor fellow that
I am here----"
"Because you think he needs help--and that you can help him?"
But she held back once more. "Please tell me about him first," she said,
walking on.
Amherst met the request with another question. "I wonder how much
you know about factory life?"
"Oh, next to nothing. Just what I've managed to pick up in these two
days at the hospital."
He glanced at her small determined profile under its dark roll of hair,
and said, half to himself: "That might be a good deal."
She took no notice of this, and he went on: "Well, I won't try to put the
general situation before you, though Dillon's accident is really the
result of it. He works in the carding room, and on the day of the
accident his 'card' stopped suddenly, and he put his hand behind him to
get a tool he needed out of his trouser-pocket. He reached back a little
too far, and the card behind him caught his hand in its million of
diamond-pointed wires. Truscomb and the overseer of the room
maintain that the accident was due to his own carelessness; but the
hands say that it was caused by the fact of the cards being too near
together, and that just such an accident was bound to happen sooner or
later."
Miss Brent drew an eager breath. "And what do you say?"
"That they're right: the carding-room is shamefully overcrowded.
Dillon hasn't been in it long--he worked his way up at the mills from
being a bobbin-boy--and he hadn't yet learned how cautious a man
must be in there. The cards are so close to each other that even the old
hands run narrow risks, and it takes the cleverest operative some time
to learn that he must calculate every movement to a fraction of an
inch."

"But why do they crowd the rooms in that way?"
"To get the maximum of profit out of the minimum of floor-space. It
costs more to increase the floor-space than to maim an operative now
and then."
"I see. Go on," she murmured.
"That's the first point; here is the second. Dr. Disbrow told Truscomb
this morning that Dillon's hand would certainly be saved, and that he
might get back to work in a couple of months if the company would
present him with an artificial finger or two."
Miss Brent faced him with a flush of indignation. "Mr. Amherst--who
gave you this version of Dr. Disbrow's report?"
"The manager himself."
"Verbally?"
"No--he showed me Disbrow's letter."
For a moment or two they walked on silently through the quiet street;
then she said, in a voice still stirred with feeling: "As I told you this
afternoon, Dr. Disbrow has said nothing in my hearing."
"And Mrs. Ogan?"
"Oh, Mrs. Ogan--" Her voice broke in a ripple of irony. "Mrs. Ogan
'feels it to be such a beautiful dispensation, my dear, that, owing to a
death that very morning in the surgical ward, we happened to have a
bed ready for the poor man within three hours of the accident.'" She
had exchanged her deep throat-tones for a high reedy note which
perfectly simulated the matron's lady-like inflections.
Amherst, at the change, turned on her with a boyish burst of laughter:
she joined in it, and for a moment they were blent in that closest of
unions, the discovery of a common fund of humour.

She was the first to grow grave. "That three hours' delay didn't help
matters--how is it there is no emergency hospital at the mills?"
Amherst laughed again, but in a different key. "That's part of the larger
question, which we haven't time for now." He waited a moment, and
then added: "You've not yet given me your own impression of Dillon's
case."
"You shall have it, if you saw that letter. Dillon will certainly lose his
hand--and probably the whole arm." She spoke with a thrilling of her
slight frame that transformed the dispassionate professional into a girl
shaken with indignant pity.
Amherst stood still before her. "Good God! Never anything but useless
lumber?"
"Never----"
"And he won't die?"
"Alas!"
"He has a consumptive wife and three children. She ruined her health
swallowing cotton-dust at the factory," Amherst continued.
"So she told me yesterday."
He turned in surprise. "You've
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