The Fruit of the Tree | Page 6

a while where she had left him, gazing at some indefinite point in space; then, waking to a sudden consciousness of his surroundings, he walked off toward the centre of the town.
At the junction of two business streets he met an empty car marked "Westmore," and springing into it, seated himself in a corner and drew out a pocket Shakespeare. He read on, indifferent to his surroundings, till the car left the asphalt streets and illuminated shop-fronts for a grey intermediate region of mud and macadam. Then he pocketed his volume and sat looking out into the gloom.
The houses grew less frequent, with darker gaps of night between; and the rare street-lamps shone on cracked pavements, crooked telegraph-poles, hoardings tapestried with patent-medicine posters, and all the mean desolation of an American industrial suburb. Farther on there came a weed-grown field or two, then a row of operatives' houses, the showy gables of the "Eldorado" road-house--the only building in Westmore on which fresh paint was freely lavished--then the company "store," the machine shops and other out-buildings, the vast forbidding bulk of the factories looming above the river-bend, and the sudden neatness of the manager's turf and privet hedges. The scene was so familiar to Amherst that he had lost the habit of comparison, and his absorption in the moral and material needs of the workers sometimes made him forget the outward setting of their lives. But to-night he recalled the nurse's comment--"it looks so dead"--and the phrase roused him to a fresh perception of the scene. With sudden disgust he saw the sordidness of it all--the poor monotonous houses, the trampled grass-banks, the lean dogs prowling in refuse-heaps, the reflection of a crooked gas-lamp in a stagnant loop of the river; and he asked himself how it was possible to put any sense of moral beauty into lives bounded forever by the low horizon of the factory. There is a fortuitous ugliness that has life and hope in it: the ugliness of overcrowded city streets, of the rush and drive of packed activities; but this out-spread meanness of the suburban working colony, uncircumscribed by any pressure of surrounding life, and sunk into blank acceptance of its isolation, its banishment from beauty and variety and surprise, seemed to Amherst the very negation of hope and life.
"She's right," he mused--"it's dead--stone dead: there isn't a drop of wholesome blood left in it."
The Moosuc River valley, in the hollow of which, for that river's sake, the Westmore mills had been planted, lingered in the memory of pre-industrial Hanaford as the pleasantest suburb of the town. Here, beyond a region of orchards and farm-houses, several "leading citizens" had placed, above the river-bank, their prim wood-cut "residences," with porticoes and terraced lawns; and from the chief of these, Hopewood, brought into the Westmore family by the Miss Hope who had married an earlier Westmore, the grim mill-village had been carved. The pillared "residences" had, after this, inevitably fallen to base uses; but the old house at Hopewood, in its wooded grounds, remained, neglected but intact, beyond the first bend of the river, deserted as a dwelling but "held" in anticipation of rising values, when the inevitable growth of Westmore should increase the demand for small building lots. Whenever Amherst's eyes were refreshed by the hanging foliage above the roofs of Westmore, he longed to convert the abandoned country-seat into a park and playground for the mill-hands; but he knew that the company counted on the gradual sale of Hopewood as a source of profit. No--the mill-town would not grow beautiful as it grew larger--rather, in obedience to the grim law of industrial prosperity, it would soon lose its one lingering grace and spread out in unmitigated ugliness, devouring green fields and shaded slopes like some insect-plague consuming the land. The conditions were familiar enough to Amherst; and their apparent inevitableness mocked the hopes he had based on Mrs. Westmore's arrival.
"Where every stone is piled on another, through the whole stupid structure of selfishness and egotism, how can one be pulled out without making the whole thing topple? And whatever they're blind to, they always see that," he mused, reaching up for the strap of the car.
He walked a few yards beyond the manager's house, and turned down a side street lined with scattered cottages. Approaching one of these by a gravelled path he pushed open the door, and entered a sitting-room where a green-shaded lamp shone pleasantly on bookshelves and a crowded writing-table.
A brisk little woman in black, laying down the evening paper as she rose, lifted her hands to his tall shoulders.
"Well, mother," he said, stooping to her kiss.
"You're late, John," she smiled back at him, not reproachfully, but with affection.
She was a wonderfully compact and active creature, with face so young and hair so