The French Revolution | Page 5

into the background, while the king, the kingly power, fills the eye. And {14} the new divine right monarchy, triumphant over the feudal soldier and gladly accepted as the restorer of order by the middle class, sets to work to consolidate this success; the result is Versailles.
The spectacular palace built by Louis XIV threw glamour and prestige about the triumphant monarchy. It drew the great nobles from their castles and peasantry, and converted them into courtiers, functionaries and office holders. To catch a ray of royal favour was to secure the gilt edging of distinction, and so even the literature, the theology, the intellect of France, quickly learned to revolve about the dazzling Sun King of Versailles, Louis XIV.
Versailles could not, however, long retain such elements of vitality as it possessed. It rapidly accomplished its work on the feudal aristocracy, but only at a great price. With Louis XIV gone, it began to crumble from corruption within, from criticism without. Louis XV converted the palace into the most gorgeous of brothels, and its inmates into the most contemptible and degraded of harlots and pimps. The policy of France, still royal under Louis XIV, was marked by the greed, lewdness and incapacity of Richelieu and Dubois, of Pompadour and du Barry. When {15} the effluvious corpse of Louis XV was hastily smuggled from Versailles to the Cathedral of St. Denis in 1774, that seemed to mark the final dissolution into rottenness of the Bourbon-Versailles r��gime. That r��gime already stank in the nostrils of public opinion, a new force which for half a century past had been making rapid progress in France.
The great religious and military struggle of the 16th and 17th centuries had in one direction resulted in enhancing the prestige and crystallizing the power of the French monarchy. In another direction it had resulted in establishing even more firmly the new intellectual position of Europe, the spirit of enquiry, of criticism, of freedom of thought. The Roman or supreme doctrine of authority had been questioned, and questioned successfully. It could not be long before the doctrine of Bourbon authority must also be questioned. Even if French thought and literature did for a moment pay tribute at the throne of Louis XIV the closing years of the century were marked by the names of Leibnitz, Bayle and Newton; the mercurial intelligence of France could not long remain stagnant with such forces as these casting their influence over European civilization. {16} The new century was not long in, the Regent Philip of Orl��ans had not long been in power, before France showed that Versailles had ceased to control her literature. A new Rabelais with an 18th century lisp, Montesquieu, by seasoning his Lettres Persanes with a sauce piquante compounded of indecency and style, succeeded in making the public swallow some incendiary morsels. The King of France, he declared, drew his power from the vanity of his subjects, while the Pope was "an old idol to whom incense is offered from sheer habit"; nothing stronger has been said to this day. A few years later, in his Esprit des Lois, he produced a work of European reputation which eventually proved one of the main channels for the conveyance of English constitutional ideas to the thinking classes of France.
An even greater influence than Montesquieu was Voltaire. He exercised an irresistible fascination on the intellectual class by the unrivalled lucidity and logic of his powerful yet witty prose. He carried common sense to the point of genius, threw the glamour of intellect over the materialism of his century, and always seized his pen most eagerly when a question of humanity and liberalism was at stake. He had weak sides, was materialistic in living as {17} in thinking, and had nothing of the martyr in his composition; yet, after his fashion, he battled against obscurantism with all the zeal of a reformer. He was, in fact, the successor of Calvin. But since Calvin's day Protestantism had been almost extirpated in France, so that the gradual growth of the spirit of enquiry, still proceeding below the surface, had brought it to a point beyond Protestantism. It was atheism that Voltaire stood for, and with the vast majority of the people of France from that day to this the alternative lay between rigid Catholicism on one hand and rigid atheism on the other. The innumerable shades of transition between these extremes, in which English and German Protestantism opened a pioneer track, remained a sealed book for them. In his Letters on the English, published in 1734, Voltaire dwells less on constitutional than on religious questions. Liberty of conscience is what he struggles for, and he discerns not only that it is more prudent to attack the Church than the State but that it is more essential; religion is