The French Impressionists (1860-1900)

The French Impressionists
(1860-1900)

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Camille Mauclair, Translated by P. G. Konady
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Title: The French Impressionists (1860-1900)
Author: Camille Mauclair
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THE FRENCH IMPRESSIONISTS (1860-1900)
by
CAMILLE MAUCLAIR
Author of L'art en Silence, Les Mères Sociales, etc.
Translated from the French text of Camille Mauclair, by P. G. Konody
London: Duckworth & Co. New York: E. P. Dutton & Co. Turnbull
and Spears, Printers, Edinburgh
1903

[Illustration: RENOIR
AT THE PIANO]

To
AUGUSTE BRÉAL
TO THE ARTIST AND TO THE FRIEND
AS A MARK OF GRATEFUL AFFECTION
C.M.

AUTHOR'S NOTE
It should be stated here that, with the exception of one reproduction
after the Neo-Impressionist Van Rysselberghe, the other forty-nine
engravings illustrating this volume I owe to the courtesy of M.
Durand-Ruel, from the first the friend of the Impressionist painters, and
later the most important collector of their works, a friend who has been
good enough to place at our disposal the photographs from which our
illustrations have been reproduced. Chosen from a considerable
collection which has been formed for thirty years past, these
photographs, none of which are for sale, form a veritable and unique
museum of documents on Impressionist art, which is made even more
valuable through the dispersal of the principal masterpieces of this art
among the private collections of Europe and America. We render our
thanks to M. Durand-Ruel no less in the name of the public interested
in art, than in our own.

CONTENTS
AUTHOR'S NOTE
I. THE PRECURSORS OF IMPRESSIONISM--THE BEGINNING
OF THIS MOVEMENT, THE ORIGIN OF ITS NAME
II. THE THEORY OF THE IMPRESSIONISTS--THE DIVISION OF
TONES, COMPLEMENTARY COLOURS, THE STUDY OF
ATMOSPHERE--THE IDEAS OF THE IMPRESSIONISTS ON
SUBJECT-PICTURES, ON THE BEAUTY OF CHARACTER, ON
MODERNITY, AND ON STYLE
III. EDOUARD MANET: HIS WORK, HIS INFLUENCE
IV. EDGAR DEGAS: HIS WORK, HIS INFLUENCE
V. CLAUDE MONET: HIS WORK, HIS INFLUENCE

VI. AUGUSTE RENOIR: HIS WORK, HIS INFLUENCE
VII. PISSARRO, SISLEY, CAILLEBOTTE, CÉZANNE, BERTHE
MORISOT, MARY CASSATT; THE SECONDARY ARTISTS OF
IMPRESSIONISM--JONGKIND, BOUDIN
VIII. THE MODERN ILLUSTRATORS CONNECTED WITH
IMPRESSIONISM: RAFFAËLLI, TOULOUSE-LAUTREC, FORAIN,
CHÉRET, ETC.
IX. NEO-IMPRESSIONISM: GAUGUIN, DENIS, THÉO VAN
RYSSELBERGHE--THE THEORY OF POINTILLISM--SEURAT,
SIGNAC AND THE THEORIES OF SCIENTIFIC
CHROMATISM--FAULTS AND QUALITIES OF THE
IMPRESSIONIST MOVEMENT, WHAT WE OWE TO IT, ITS
PLACE IN THE HISTORY OF THE FRENCH SCHOOL--SOME
WORDS ON ITS INFLUENCE ABROAD

LIST OF ILLUSTRATIONS

RENOIR. At the Piano (Frontispiece)
MANET. Rest
MANET. In the Square
MANET. Young Man in Costume of Majo
MANET. The Reader
DEGAS. The Dancer at the Photographer's
DEGAS. Carriages at the Races
DEGAS. The Greek Dance--Pastel

DEGAS. Waiting
CLAUDE MONET. The Pines
CLAUDE MONET. Church at Vernon
RENOIR. Portrait of Madame Maitre
MANET. The Dead Toreador
MANET. Olympia
MANET. The Woman with the Parrot
MANET. The Bar at the Folies Bergère
MANET. Déjeuner
MANET. Portrait of Madame M. L.
MANET. The Hothouse
DEGAS. The Beggar Woman
DEGAS. The Lesson in the Foyer
DEGAS. The Dancing Lesson--Pastel
DEGAS. The Dancers
DEGAS. Horses in the Meadows
CLAUDE MONET. An Interior after Dinner
CLAUDE MONET. The Harbour, Honfleur
CLAUDE MONET. The Church at Varengeville
CLAUDE MONET. Poplars on the Epte in Autumn

CLAUDE MONET. The Bridge at Argenteuil
RENOIR. Déjeuner
RENOIR. In the Box
RENOIR. Young Girl Promenading
RENOIR. Woman's Bust
RENOIR. Young Woman in Empire Costume
RENOIR. On the Terrace
PISSARRO. Rue de l'Epicerie, Rouen
PISSARRO. Boulevard Montmartre
PISSARRO. The Boildieaux Bridge at Rouen
PISSARRO. The Avenue de l'Opéra
SISLEY. Snow Effect
SISLEY. Bougival, at the Water's Edge
SISLEY. Bridge at Moret
CÉZANNE. Dessert
BERTHE MORISOT. Melancholy
BERTHE MORISOT. Young Woman Seated
MARY CASSATT. Getting up Baby
MARY CASSATT. Women and Child
JONGKIND. In Holland

JONGKIND. View of the Hague
THÉO VAN RYSSELBERGHE. Portraits of Madame van
Rysselberghe and her Daughter

NOTE TO LIST OF ILLUSTRATIONS
The illustrations contained in this volume have been taken from
different epochs of the Impressionist movement. They will give but a
feeble idea of the extreme abundance of its production.
Banished from the salons, exhibited in private galleries and sold direct
to art lovers, the Impressionist works have been but little seen. The
series left by Caillebotte to the Luxembourg Gallery is very