The Fortune of the Rougons

ϸ
The Fortune of the Rougons

The Project Gutenberg EBook of The Fortune of the Rougons, by Emile Zola (#5 in our series by Emile Zola)
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: The Fortune of the Rougons
Author: Emile Zola
Release Date: February, 2004 [EBook #5135]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on May 11, 2002]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK, THE FORTUNE OF THE ROUGONS ***
THE FORTUNE OF THE ROUGONS By Emile Zola
Etext prepared by Dagny, [email protected] and John Bickers, [email protected]

THE FORTUNE OF THE ROUGONS
BY
EMILE ZOLA
EDITED WITH INTRODUCTION BY ERNEST ALFRED VIZETELLY

INTRODUCTION
"The Fortune of the Rougons" is the initial volume of the Rougon- Macquart series. Though it was by no means M. Zola's first essay in fiction, it was undoubtedly his first great bid for genuine literary fame, and the foundation of what must necessarily be regarded as his life-work. The idea of writing the "natural and social history of a family under the Second Empire," extending to a score of volumes, was doubtless suggested to M. Zola by Balzac's immortal "Comedie Humaine." He was twenty-eight years of age when this idea first occurred to him; he was fifty-three when he at last sent the manuscript of his concluding volume, "Dr. Pascal," to the press. He had spent five-and- twenty years in working out his scheme, persevering with it doggedly and stubbornly, whatever rebuffs he might encounter, whatever jeers and whatever insults might be directed against him by the ignorant, the prejudiced, and the hypocritical. Truth was on the march and nothing could stay it; even as, at the present hour, its march, if slow, none the less continues athwart another and a different crisis of the illustrious novelist's career.
It was in the early summer of 1869 that M. Zola first began the actual writing of "The Fortune of the Rougons." It was only in the following year, however, that the serial publication of the work commenced in the columns of "Le Siecle," the Republican journal of most influence in Paris in those days of the Second Empire. The Franco-German war interrupted this issue of the story, and publication in book form did not take place until the latter half of 1871, a time when both the war and the Commune had left Paris exhausted, supine, with little or no interest in anything. No more unfavourable moment for the issue of an ambitious work of fiction could have been found. Some two or three years went by, as I well remember, before anything like a revival of literature and of public interest in literature took place. Thus, M. Zola launched his gigantic scheme under auspices which would have made many another man recoil. "The Fortune of the Rougons," and two or three subsequent volumes of his series, attracted but a moderate degree of attention, and it was only on the morrow of the publication of "L'Assommoir" that he awoke, like Byron, to find himself famous.
As previously mentioned, the Rougon-Macquart series forms twenty volumes. The last of these, "Dr. Pascal," appeared in 1893. Since then M. Zola has written "Lourdes," "Rome," and "Paris." Critics have repeated /ad nauseam/ that these last works constitute a new departure on M. Zola's part, and, so far as they formed a new series, this is true. But the suggestion that he has in any way repented of the Rougon-Macquart novels is ridiculous. As he has often told me of recent years, it is, as far as possible, his plan to subordinate his style and methods to his subject. To have written a book like "Rome," so largely devoted to the ambitions of the Papal See, in the same way as he had written books dealing with the drunkenness or other vices of Paris, would have been the climax of absurdity.
Yet the publication of "Rome," was the signal for a general outcry on the part of English and American reviewers that Zolaism, as typified by the Rougon-Macquart series, was altogether a thing of the past.