The First Men in the Moon | Page 6

No. There is no other direction. This is the only one. I've inquired. And now - every afternoon at four - I come to a dead wall."
"But, my dear sir, if the thing is so important to you.."
"It's vital. You see, I'm - I'm an investigator - I am engaged in a scientific research. I live -" he paused and seemed to think. "Just over there," he said, and pointed suddenly dangerously near my eye. "The house with white chimneys you see just over the trees. And my circumstances are abnormal - abnormal. I am on the point of completing one of the most important - demonstrations - I can assure you one of the most important demonstrations that have ever been made. It requires constant thought, constant mental ease and activity. And the afternoon was my brightest time! - effervescing with new ideas - new points of view."
"But why not come by still?"
"It would be all different. I should be self-conscious. I should think of you at your play -watching me irritated - instead of thinking of my work. Oh! I must have the bungalow."
I meditated. Naturally, I wanted to think the matter over thoroughly before anything decisive was said. I was generally ready enough for business in those days, and selling always attracted me; but in the first place it was not my bungalow, and even if I sold it to him at a good price I might get inconvenienced in the delivery of goods if the current owner got wind of the transaction, and in the second I was, well - un - discharged. It was clearly a business that required delicate handling. Moreover, the possibility of his being in pursuit of some valuable invention also interested me. It occurred to me that I would like to know more of this research, not with any dishonest intention, but simply with an idea that to know what it was would be a relief from play-writing. I threw out feelers.
He was quite willing to supply information. Indeed, once he was fairly under way the conversation became a monologue. He talked like a man long pent up, who has had it over with himself again and again. He talked for nearly an hour, and I must confess I found it a pretty stiff bit of listening. But through it all there was the undertone of satisfaction one feels when one is neglecting work one has set oneself. During that first interview I gathered very little of the drift of his work. Half his words were technicalities entirely strange to me, and he illustrated one or two points with what he was pleased to call elementary mathematics, computing on an envelope with a copying-ink pencil, in a manner that made it hard even to seem to understand. "Yes," I said, "yes. Go on!" Nevertheless I made out enough to convince me that he was no mere crank playing at discoveries. In spite of his crank-like appearance there was a force about him that made that impossible. Whatever it was, it was a thing with mechanical possibilities. He told me of a work-shed he had, and of three assistants - originally jobbing carpenters - whom he had trained. Now, from the work-shed to the patent office is clearly only one step. He invited me to see those things. I accepted readily, and took care, by a remark or so, to underline that. The proposed transfer of the bungalow remained very conveniently in suspense.
At last he rose to depart, with an apology for the length of his call. Talking over his work was, he said, a pleasure enjoyed only too rarely. It was not often he found such an intelligent listener as myself, he mingled very little with professional scientific men.
"So much pettiness," he explained; "so much intrigue! And really, when one has an idea - a novel, fertilising idea - I don't want to be uncharitable, but -"
I am a man who believes in impulses. I made what was perhaps a rash proposition. But you must remember, that I had been alone, play-writing in Lympne, for fourteen days, and my compunction for his ruined walk still hung about me. "Why not," said I, "make this your new habit? In the place of the one I spoilt? At least, until we can settle about the bungalow. What you want is to turn over your work in your mind. That you have always done during your afternoon walk. Unfortunately that's over - you can't get things back as they were. But why not come and talk about your work to me; use me as a sort of wall against which you may throw your thoughts and catch them again ? It's certain I don't know enough to steal your ideas myself - and I