The Finer Grain | Page 8

Henry James
space of time been living. The young Lord himself, in his radiant costly barbarism, figured far better than John Berridge could do the prepossessing shepherd, the beautiful mythological mortal "distinguished" by a goddess; for our hero now saw that his whole manner of dealing with his ridiculous tribute was marked exactly by the grand simplicity, the prehistoric good faith, as one might call it, of far-off romantic and "plastic" creatures, figures of exquisite Arcadian stamp, glorified rustics like those of the train of peasants in "A Winter's Tale," who thought nothing of such treasure-trove, on a Claude Lorrain sea-strand, as a royal infant wrapped in purple: something in that fabulous style of exhibition appearing exactly what his present demonstration might have been prompted by. "The Top of the Tree, by Amy Evans"--scarce credible words floating before Berridge after he had with an anguish of effort dropped his eyes on the importunate title-page--represented an object as alien to the careless grace of goddess-haunted Arcady as a washed-up "kodak" from a wrecked ship might have been to the appreciation of some islander of wholly unvisited seas. Nothing could have been more in the tone of an islander deplorably diverted from his native interests and dignities than the glibness with which John's own child of nature went on. "It's her pen-name, Amy Evans"--he couldn't have said it otherwise had he been a blue-chinned penny-a-liner; yet marking it with a disconnectedness of intelligence that kept up all the poetry of his own situation and only crashed into that of other persons. The reference put the author of "The Heart of Gold" quite into his place, but left the speaker absolutely free of Arcady. "Thanks awfully"--Berridge somehow clutched at that, to keep everything from swimming. "Yes, I should like to look at it," he managed, horribly grimacing now, he believed, to say; and there was in fact a strange short interlude after this in which he scarce knew what had become of any one or of anything; in which he only seemed to himself to stand alone in a desolate place where even its desolation didn't save him from having to stare at the greyest of printed pages. Nothing here helped anything else, since the stamped greyness didn't even in itself make it impossible his eyes should follow such sentences as: "The loveliness of the face, which was that of the glorious period in which Pheidias reigned supreme, and which owed its most exquisite note to that shell-like curl of the upper lip which always somehow recalls for us the smile with which windblown Astarte must have risen from the salt sea to which she owed her birth and her terrible moods; or it was too much for all the passionate woman in her, and she let herself go, over the flowering land that had been, but was no longer their love, with an effect of blighting desolation that might have proceeded from one of the more physical, though not more awful, convulsions of nature."
He seemed to know later on that other and much more natural things had occurred; as that, for instance, with now at last a definite intermission of the rare music that for a long time past, save at the briefest intervals, had kept all participants ostensibly attentive and motionless, and that in spite of its high quality and the supposed privilege of listening to it he had allowed himself not to catch a note of, there was a great rustling and shifting and vociferous drop to a lower plane, more marked still with the quick clearance of a way to supper and a lively dispersal of most of the guests. Hadn't he made out, through the queer glare of appearances, though they yet somehow all came to him as confused and unreal, that the Princess was no longer there, wasn't even only crowded out of his range by the immediate multiplication of her court, the obsequious court that the change of pitch had at once permitted to close round her; that Gloriani had offered her his arm, in a gallant official way, as to the greatest lady present, and that he was left with half a dozen persons more knowing than the others, who had promptly taken, singly or in couples, to a closer inspection of the fine small scattered treasures of the studio?
He himself stood there, rueful and stricken, nursing a silly red-bound book under his arm very much as if he might have been holding on tight to an upright stake, or to the nearest piece of furniture, during some impression of a sharp earthquake-shock or of an attack of dyspeptic dizziness; albeit indeed that he wasn't conscious of this absurd, this instinctive nervous clutch till the thing that was to be more wonderful than any yet suddenly flared
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