The Film Mystery

The Film Mystery

The Project Gutenberg EBook of The Film Mystery, by Arthur B. Reeve #12 in our series by Arthur B. Reeve
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Title: The Film Mystery
Author: Arthur B. Reeve
Release Date: March, 2004 [EBook #5270] [Yes, we are more than one year ahead of schedule] [This file was first posted on June 23, 2002]
Edition: 10
Language: English
Character set encoding: ASCII
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THE FILM MYSTERY
BY
ARTHUR B. REEVE
AUTHOR OF
"The Soul Scar" "The Adventuress" and Other Craig Kennedy Scientific Detective Stories

CONTENTS

CHAPTER
I. A CAMERA CRIME II. THE TINY SCRATCH III. TANGLED MOTIVES IV. THE FATAL SCRIPT V. AN EMOTIONAL MAZE VI. THE FIRST CLUB VII. ENID FAYE VIII. LAWRENCE MILLARD IX. WHITE-LIGHT SHADOWS X. CHEMICAL RESEARCH XI. FORESTALLED XII. EMERY PHELPS XIII. MARILYN LORING XIV. ANOTHER CLUE XV. I BECOME A DETECTIVE XVI. ENID ASSISTS XVII. AN APPEAL XVIII. THE ANTIVENIN XIX. AROUND THE CIRCLE XX. THE BANQUET SCENE XXI. MERLE SHIRLEY OVERACTS XXII. THE STEM XXIII. BOTULIN TOXIN XXIV. THE INVISIBLE MENACE XXV. ITCHING SALVE XXVI. A CIGARETTE CASE XXVII. THE FILM FIRE XXVIII. THE PHOSPHORUS BOMB XXIX. MICROSCOPIC EVIDENCE XXX. THE BALLROOM SCENE XXXI. PHYSOSTIGMIN XXXII. CAMERA EVIDENCE

THE FILM MYSTERY

I
A CAMERA CRIME
"Camera!"
Kennedy and I had been hastily summoned from his laboratory in the city by District-Attorney Mackay, and now stood in the luxurious, ornate library in the country home of Emery Phelps, the banker, at Tarrytown.
"Camera!--you know the call when the director is ready to shoot a scene of a picture?--well--at the moment it was given and the first and second camera men began to grind--she crumpled--sank to the floor--unconscious!"
Hot and excited, Mackay endeavored to reenact his case for us with all the histrionic ability of a popular prosecutor before a jury.
"There's where she dropped--they carried her over here to this davenport--sent for Doctor Blake--but he couldn't do a thing for her. She died--just as you see her. Blake thought the matter so serious, so alarming, that he advised an immediate investigation. That's why I called you so urgently."
Before us lay the body of the girl, remarkably beautiful even as she lay motionless in death. Her masses of golden hair, disheveled, added to the soft contours of her features. Her wonderfully large blue-gray eyes with their rare gift for delicate shades of expression were closed, but long curling lashes swept her cheeks still and it was hard to believe that this was anything more than sleep.
It was inconceivable that Stella Lamar, idol of the screen, beloved of millions, could have been taken from the world which worshiped her.
I felt keenly for the district attorney. He was a portly little man of the sort prone to emphasize his own importance and so, true to type, he had been upset completely by a case of genuine magnitude. It was as though visiting royalty had dropped dead within his jurisdiction.
I doubt whether the assassination of a McKinley or a Lincoln could have unsettled him as much, because in such an event he would have had the whole weight of the Federal government behind him. There was no question but that Stella Lamar enjoyed a country-wide popularity known by few of our Presidents. Her sudden death was a national tragedy.
Apparently Mackay had appealed to Kennedy the moment he learned the identity of Stella, the moment he realized there was any question about the circumstances surrounding the affair. Over the telephone the little man had been almost incoherent. He had heard of Kennedy's work and was feverishly anxious to enlist his aid, at any price.
All we knew as we took the train on the New York Central was that Stella was playing a part in a picture to be called "The Black Terror," that the producer was Manton Pictures, Incorporated, and that she had dropped dead suddenly and without warning in the middle of a scene being photographed in the library at the home of Emery Phelps.
I was singularly elated at the thought of accompanying Kennedy