The individual has had no such opportunity for fame in 
England before or since. The nineteenth century, which saw the 
industrial revolution, the triumphs of steam and electricity, and the 
discoveries of natural science, is the only period that equalled the 
Elizabethan in the rapidity of its changes in ideas and in the conditions 
of living; and even that era of change offered relatively fewer new 
impulses to individual greatness than the fifty years of Shakespeare's 
life. 
[Page Heading: Tudor England] 
Shakespeare's England was an agricultural country of four or five 
million inhabitants. It fed itself, except when poor harvests compelled 
the importation of grain, and it supplemented agriculture by grazing, 
fishing, and commerce, chiefly with the Netherlands, but growing in 
many directions. The forests were becoming thin, but the houses were 
still of timber; the roads were poor, the large towns mostly seaports.
The dialects spoken were various, but the speech of the midland 
counties had become established in London, at the universities, and in 
printed books, and was rapidly increasing its dominance. The 
monasteries and religious orders were gone, but feudalism still held 
sway, and the people were divided into classes,--the various ranks of 
the nobility, the gentry, the yeomen, the burgesses, and the common 
people. But changes from one class to another were numerous; for 
many lords were losing their inheritances by extravagance, while many 
business men were putting their profits into land. In spite of 
persecutions, occasional insurrections, and the plague which devastated 
the unsanitary towns, it was a time of peace and prosperity. The 
coinage was reformed, roads were improved, taxes were not 
burdensome, and life in the country was more comfortable and secure 
than it had been. Books and education were spreading. Numerous 
grammar schools taught Latin, the universities made provision for poor 
students, and there were now many careers besides that of the church 
open to the educated man. 
Stratford, then a village of some two thousand inhabitants, somewhat 
off the main route of traffic, was far more removed from the world than 
most towns of similar size in this day of railways, newspapers, and the 
telegraph. With the nearby country, it made up an independent 
community that attended to its own affairs with great thoroughness. 
The corporation, itself the outgrowth of a medieval religious guild, 
regulated the affairs of every one with little regard for personal liberty. 
It was especially severe on rebellious servants, idle apprentices, 
shrewish women, the pigs that ran loose in the streets, and (after 1605) 
persons guilty of profanity. Regular church attendance and fixed hours 
of work were required. The corporation frequently punished with fines 
(the poet's father on one occasion) those who did not clean the street 
before their houses; and it was much occupied in regulating the 
ale-houses, of which the village possessed some thirty. Like all towns 
of this period, Stratford suffered frequently from fire and the plague. 
Trade was dependent mainly on the weekly markets and semi-annual 
fairs, and Stratford was by no means isolated, being not far from the 
great market town of Coventry, near Kenilworth and Warwick, and 
only eighty miles from London.
[Page Heading: Sports and Plays] 
Shakespeare's England was merry England. At least, it was probably as 
near to deserving that adjective as at any time before or since. There 
was plenty of time for amusement. There were public bowling-greens 
and archery butts in Stratford, though the corporation was very strict in 
regard to the hours when these could be used. Every one enjoyed 
hunting, hawking, cock-fighting, bull-baiting, dancing, until the 
Puritans found such enjoyments immoral. The youthful Shakespeare 
acquired an intimate knowledge of dogs and horses, hunting and 
falconry, though this was a gentleman's sport. The highways were full 
of ballad singers, beggars, acrobats, and wandering players. Play-acting 
of one kind or another had long been common over most of rural 
England. Miracle plays were given at Coventry up to 1580, and bands 
of professional actors came to Stratford frequently, and on their first 
recorded appearance received their permission to act from the bailiff, 
John Shakespeare (1568-1569). There was many a Holofernes or 
Bottom to marshal his pupils or fellow-mechanics for an amateur 
performance; and Shakespeare may have seen the most famous of the 
royal entertainments, that at Kenilworth in 1575, when Gascoigne 
recited poetry, and Leicester, impersonating Deep Desire, addressed 
Elizabeth from a bush, and a minstrel represented Arion on a dolphin's 
back. The tradition may be right which declares that it was the trumpets 
of the comedians that summoned Shakespeare to London. 
In the main, life in the country was not so very different from what it is 
now in the remoter places. Many a secluded English village, as recently 
as fifty years ago, jogged on much as in the sixteenth century. 
Opportunity then as now dwelt mostly in    
    
		
	
	
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