The End of Her Honeymoon

Marie Belloc Lowndes
The End of Her Honeymoon

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Title: The End of Her Honeymoon
Author: Marie Belloc Lowndes

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on October 11, 2003]
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The End of Her Honeymoon
By
Mrs. Belloc Lowndes
Author of "The Uttermost Farthing," "The Chink in the Armour," etc.,
etc.
1913




CHAPTER I
"Cocher? l'Hôtel Saint Ange, Rue Saint Ange!"
The voice of John Dampier, Nancy's three-weeks bridegroom, rang out
strongly, joyously, on this the last evening of their honeymoon. And
before the lightly hung open carriage had time to move, Dampier added
something quickly, at which both he and the driver laughed in unison.

Nancy crept nearer to her husband. It was tiresome that she knew so
little French.
"I'm telling the man we're not in any hurry, and that he can take us
round by the Boulevards. I won't have you seeing Paris from an ugly
angle the first time--darling!"
"But Jack? It's nearly midnight! Surely there'll be nothing to see on the
Boulevards now?"
"Won't there? You wait and see--Paris never goes to sleep!"
And then--Nancy remembered it long, long afterwards--something very
odd and disconcerting happened in the big station yard of the Gare de
Lyon. The horse stopped--stopped dead. If it hadn't been that the
bridegroom's arm enclosed her slender, rounded waist, the bride might
have been thrown out.
The cabman stood up in his seat and gave his horse a vicious blow
across the back.
"Oh, Jack!" Nancy shrank and hid her face in her husband's arm. "Don't
let him do that! I can't bear it!"
Dampier shouted out something roughly, angrily, and the man jumped
off the box, and taking hold of the rein gave it a sharp pull. He led his
unwilling horse through the big iron gates, and then the little open
carriage rolled on smoothly.
How enchanting to be driving under the stars in the city which hails in
every artist--Jack Dampier was an artist--a beloved son!
In the clear June atmosphere, under the great arc-lamps which seemed
suspended in the mild lambent air, the branches of the trees lining the
Boulevards showed brightly, delicately green; and the tints of the
dresses worn by the women walking up and down outside the cafés and
still brilliantly lighted shops mingled luminously, as on a magic palette.

Nancy withdrew herself gently from her husband's arm. It seemed to
her that every one in that merry, slowly moving crowd on either side
must see that he was holding her to him. She was a shy, sensitive little
creature, this three-weeks-old bride, whose honeymoon was now about
to merge into happy every-day life.
Dampier divined something of what she was feeling. He put out his
hand and clasped hers. "Silly sweetheart," he whispered. "All these
merry, chattering people are far too full of themselves to be thinking of
us!"
As she made no answer, bewildered, a little oppressed by the brilliance,
the strangeness of everything about them, he added a little anxiously,
"Darling, are you tired? Would you rather go straight to the hotel?"
But pressing closer to him, Nancy shook her head. "No, no, Jack! I'm
not a bit tired. It was you who were tired to-day, not I!"
"I didn't feel well in the train, 'tis true. But now that I'm in Paris I could
stay out all night! I suppose you've never read George Moore's
description of this very drive we're taking, little girl?"
And again Nancy shook her head, and smiled in the darkness. In the
world where she had lived her short life, in the comfortable,
unimaginative world in which Nancy Tremain, the delightfully pretty,
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