The Easiest Way | Page 7

Arthur Hornblow
acted well, but because she dressed exquisitely, and pleased the eye. Managers and authors flattered her. Soon she found, to her amazement, that she was the success of the hour. Stage Johnnies raved about her; sent her flowers and invited her to supper; women envied her, and said spiteful things. Portraits of her in various attitudes appeared in the newspapers and magazines. In a single night she was carried high on the top wave of sensational popularity.
The outcome was only logical. Even a virtuous woman could not stand the strain, and Laura was not virtuous. Of neurotic temperament, inherently weak, if not actually vicious in character, with the spirit of the courtesan strong within her from an early age, fond of luxury and personal adornment she could not legitimately afford, it was not surprising that she listened to the flatterers and went to the devil quicker than any woman before her in the whole history of gallantry. At the end of her first season, her reputation was completely in tatters. Accepting the situation philosophically, she did not pretend to be better than she was, but she was clever enough not to cheapen herself by entangling herself too promiscuously. She had lovers by the score, yet none could boast of having really won her heart. A woman of superficial emotions, she was entirely without depth, yet so long as it suited her purpose, she was able to conceal this shallowness and profess for the admirer of the moment the greatest affection and devotion. This is an art and she was an adept at it. Sensually she quickly attracted men, and it was not long before she became a prime favorite in the select circles that made such resorts as "The Yellow Poodle" and "Moreland's" famous, yet in her dissipations she was always careful not in any way to indulge in excesses which would jeopardize her physical attractiveness, or for one moment diminish her keen sense of worldly calculation.
One day, obeying a foolish impulse, she married. The venture was, of course, a failure. Her selfish vacillating nature was such that she could not remain true to the poor fool who had given her his name. To provide the luxuries she incessantly demanded, he embezzled the funds of the bank where he was employed, and when exposure came, and he was confronted with a jail sentence, she was horrified to see him kill himself in front of her. There was a momentary spasm of grief, a tidal wave of remorse, followed in a few brief weeks by the peculiar recuperation of spirits, beauty and attractiveness that so marks this type of woman. Gradually she became hardened and indifferent. She began to view life as a hunting field, in which the trophy went to the hardest rider. Deceived herself by men, she finally arrived at that stage of life known in theatrical circles as "wised up."
Coming to New York, she attracted the attention of a prominent theatrical manager, and was given a part, in which she happened to make a hit. This was enough to immediately establish her reputation on the metropolitan stage. The fact that before reaching the age of womanhood, she had had more escapades than most women have in their entire lives, was not generally known in Manhattan, nor was there a mark upon her face or a single coarse mannerism to betray it. She was soft voiced, very pretty, very girlish, yet she was no fool. Her success did not turn her head or blind her to her shortcomings as an actress. She realized that in order to maintain her position she must have some influence outside of her own ability, so she laid plans to entangle in her net a hard-headed, blunt and supposedly soubrette-proof theatre manager. He fell victim to her charms, and in his cold, stolid way, gave her what love there was in him. Still not satisfied, she played two ends against the middle, and finding a young man of wealth and position, who could give her in his youth an exuberance of joy utterly apart from the character of the theatrical manager, she allowed him to shower her with presents. When his money was gone, she cast him aside and demurely resumed her relations with the unsuspecting theatre manager. The jilted lover became crazed, and one night at a restaurant, attempted to murder them both.
From that time on, her career was a succession of brilliant coups in gaining the confidence and love, not to say the money, of men of all ages, and all walks of life. Her powers of fascination were as potent as her professions of reform were insincere. She never made an honest effort to be an honest woman, she never tried to do the square thing. Yet, like other women of
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