the mosaics, was chased in the tableware, was woven in the napery, was glazed in the very china. Turn where you would, an eagle or two confronted you; and Hunston Wyke, who is accounted something of a wit, swore that Frederick R. Woods at Selwoode reminded him of "a sore-headed bear who had taken up permanent quarters in an aviary."
There was one, however, who found the bear no very untractable monster. This was the son of his brother, dead now, who dwelt at Selwoode as heir presumptive. Frederick R. Woods's wife had died long ago, leaving him childless. His brother's boy was an orphan; and so, for a time, he and the grim old man lived together peaceably enough. Indeed, Billy Woods was in those days as fine a lad as you would wish to see, with the eyes of an inquisitive cherub and a big tow-head, which Frederick R. Woods fell into the habit of cuffing heartily, in order to conceal the fact that he would have burned Selwoode to the ground rather than allow any one else to injure a hair of it.
In the consummation of time, Billy, having attained the ripe age of eighteen, announced to his uncle that he intended to become a famous painter. Frederick R. Woods exhorted him not to be a fool, and packed him off to college.
Billy Woods returned on his first vacation with a fragmentary mustache and any quantity of paint-tubes, canvases, palettes, mahl-sticks, and such-like paraphernalia. Frederick R. Woods passed over the mustache, and had the painters' trappings burned by the second footman. Billy promptly purchased another lot. His uncle came upon them one morning, rubbed his chin meditatively for a moment, and laughed for the first time, so far as known, in his lifetime; then he tiptoed to his own apartments, lest Billy--the lazy young rascal was still abed in the next room--should awaken and discover his knowledge of this act of flat rebellion.
I dare say the old gentleman was so completely accustomed to having his own way that this unlooked-for opposition tickled him by its novelty; or perhaps he recognised in Billy an obstinacy akin to his own; or perhaps it was merely that he loved the boy. In any event, he never again alluded to the subject; and it is a fact that when Billy sent for carpenters to convert an upper room into an atelier, Frederick R. Woods spent two long and dreary weeks in Boston in order to remain in ignorance of the entire affair.
Billy scrambled through college, somehow, in the allotted four years. At the end of that time, he returned to find new inmates installed at Selwoode.
For the wife of Frederick R. Woods had been before her marriage one of the beautiful Anstruther sisters, who, as certain New Yorkers still remember--those grizzled, portly, rosy-gilled fellows who prattle on provocation of Jenny Lind and Castle Garden, and remember everything--created a pronounced furor at their d��but in the days of crinoline and the Grecian bend; and Margaret Anstruther, as they will tell you, was married to Thomas Hugonin, then a gallant cavalry officer in the service of Her Majesty, the Empress of India.
And she must have been the nicer of the two, because everybody who knew her says that Margaret Hugonin is exactly like her.
So it came about naturally enough, that Billy Woods, now an _Artium Baccalaureus_, if you please, and not a little proud of it, found the Colonel and his daughter, then on a visit to this country, installed at Selwoode as guests and quasi-relatives. And Billy was twenty-two, and Margaret was nineteen.
* * * * *
Precisely what happened I am unable to tell you. Billy Woods claims it is none of my business; and Margaret says that it was a long, long time ago and she really can't remember.
But I fancy we can all form a very fair notion of what is most likely to occur when two sensible, normal, healthy young people are thrown together in this intimate fashion at a country-house where the remaining company consists of two elderly gentlemen. Billy was forced to be polite to his uncle's guest; and Margaret couldn't well be discourteous to her host's nephew, could she? Of course not: so it befell in the course of time that Frederick R. Woods and the Colonel--who had quickly become a great favourite, by virtue of his implicit faith in the Eagle and in Woden and Sir Percival de Wode of Hastings, and such-like flights of heraldic fancy, and had augmented his popularity by his really brilliant suggestion of Wynkyn de Worde, the famous sixteenth-century printer, as a probable collateral relation of the family--it came to pass, I say, that the two gentlemen nodded over their port and chuckled, and winked at one another and agreed that
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