The Deserter | Page 3

in recovering a wounded man from No Man's land in Flanders ten months before. The following day, before a file of soldiers drawn up on the parade-ground, the honor was officially conferred and a little ribbon was pinned upon his coat to testify to the appreciative, though somewhat tardy, gratitude of the government.
"Hamlin" pointed to the little ribbon on his lapel and proudly drew from his pocket an official paper in which his heroic achievement was duly recited.
He had not heard of Davis's death, and was deeply touched when Mr. Shepherd told him of it. At once he expressed his endless gratitude to Davis and the rest of us for what we had done for him in Salonika.
In a few days he was to return to France with his regiment. What has happened to him since then I have no means of knowing. His movements are again wrapped in that dense fog which veils the soldier's life to all the outside world except those to whom he writes.
In view of what we now know of Hamlin's physical condition at the time his mind was obsessed with the idea of deserting, both Mr. Shepherd and I are glad to believe that his decision to desert was the consequence of physical rather than mental or moral weakness, for his stamina was at its lowest ebb because of a weakened body.
JOHN T. McCUTCHEON.
CHICAGO, ILLINOIS, September 15, 1917.

THE DESERTER
In Salonika, the American consul, the Standard Oil man, and the war correspondents formed the American colony. The correspondents were waiting to go to the front. Incidentally, as we waited, the front was coming rapidly toward us. There was "Uncle" Jim, the veteran of many wars, and of all the correspondents, in experience the oldest and in spirit the youngest, and there was the Kid, and the Artist. The Kid jeered at us, and proudly described himself as the only Boy Reporter who jumped from a City Hall assignment to cover a European War. "I don't know strategy," he would boast; "neither does the Man at Home. He wants 'human interest' stuff, and I give him what he wants. I write exclusively for the subway guard and the farmers in the wheat belt. When you fellows write about the 'Situation,' they don't understand it. Neither do you. Neither does Venizelos or the King. I don't understand it myself. So, I write my people heart-to-heart talks about refugees and wounded, and what kind of ploughs the Servian peasants use, and that St. Paul wrote his letters to the Thessalonians from the same hotel where I write mine; and I tell 'em to pronounce Salonika 'eeka,' and not put the accent on the 'on.' This morning at the refugee camp I found all the little Servians of the Frothingham unit in American Boy Scout uniforms. That's my meat. That's 'home week' stuff. You fellows write for the editorial page; and nobody reads it. I write for the man that turns first to Mutt and Jeff, and then looks to see where they are running the new Charlie Chaplin release. When that man has to choose between 'our military correspondent' and the City Hall Reporter, he chooses me!"
The third man was John, "Our Special Artist." John could write a news story, too, but it was the cartoons that had made him famous. They were not comic page, but front page cartoons, and before making up their minds what they thought, people waited to see what their Artist thought. So, it was fortunate his thoughts were as brave and clean as they were clever. He was the original Little Brother to the Poor. He was always giving away money. When we caught him, he would prevaricate. He would say the man was a college chum, that he had borrowed the money from him, and that this was the first chance he had had to pay it back. The Kid suggested it was strange that so many of his college chums should at the same moment turn up, dead broke, in Salonika, and that half of them should be women.
John smiled disarmingly. "It was a large college," he explained, "and coeducational." There were other Americans; Red Cross doctors and nurses just escaped through the snow from the Bulgars, and hyphenated Americans who said they had taken out their first papers. They thought hyphenated citizens were so popular with us, that we would pay their passage to New York. In Salonika they were transients. They had no local standing. They had no local lying-down place, either, or place to eat, or to wash, although they did not look as though that worried them, or place to change their clothes. Or clothes to change. It was because we had clothes to change, and a hotel bedroom, instead of a bench in a caf��,