The Deserted House | Page 4

E.T.A. Hoffmann
the old steward about it, fearing danger. But the old man excuses himself by saying that he was cooking his food. Heaven knows what the queer creature may eat, for often, when the pipe is smoking heavily, a strange and queer smell can be smelled all over the house."
The glass doors of the shop creaked in opening. The pastry cook hurried into the front room, and when he had nodded to the figure now entering he threw a meaning glance at me. I understood him perfectly. Who else could this strange guest be, but the steward who had charge of the mysterious house! Imagine a thin little man with a face the color of a mummy, with a sharp nose tight-set lips, green cat's eyes, and a crazy smile; his hair dressed in the old-fashioned style with a high toupet and a bag at the back, and heavily powdered. He wore a faded old brown coat which was carefully brushed, gray stockings, and broad, flat-toed shoes with buckles. And imagine further, that in spite of his meagerness this little person is robustly built, with huge fists and long, strong fingers, and that he walks to the shop counter with a strong, firm step, smiling his imbecile smile, and whining out: "A couple of candied oranges--a couple of macaroons--a couple of sugared chestnuts--" Picture all this to yourself and judge whether I had not sufficient cause to imagine a mystery here.
The pastry cook gathered up the wares the old man had demanded. "Weigh it out, weigh it out, honored neighbor," moaned the strange man, as he drew out a little leathern bag and sought in it for his money. I noticed that he paid for his purchase in worn old coins, some of which were no longer in use. He seemed very unhappy and murmured: "Sweet--sweet--it must all be sweet! Well, let it be! The devil has pure honey for his bride--pure honey!"
The pastry cook smiled at me and then spoke to the old man. "You do not seem to be quite well. Yes, yes, old age, old age! It takes the strength from our limbs." The old man's expression did not change, but his voice went up: "Old age?--Old age?--Lose strength?--Grow weak?--Oho!" And with this he clapped his hands together until the joints cracked, and sprang high up into the air until the entire shop trembled and the glass vessels on the walls and counters rattled and shook. But in the same moment a hideous screaming was heard; the old man had stepped on his black dog, which, creeping in behind him, had laid itself at his feet on the floor. "Devilish beast--dog of hell!" groaned the old man in his former miserable tone, opening his bag and giving the dog a large macaroon. The dog, which had burst out into a cry of distress that was truly human, was quiet at once, sat down on its haunches, and gnawed at the macaroon like a squirrel. When it had finished its tidbit, the old man had also finished the packing up and putting away of his purchases. "Good night, honored neighbor," he spoke, taking the hand of the pastry cook and pressing it until the latter cried aloud in pain. "The weak old man wishes you a good night, most honorable Sir Neighbor," he repeated, and then walked from the shop, followed closely by his black dog. The old man did not seem to have noticed me at all. I was quite dumfoundered in my astonishment.
"There, you see," began the pastry cook. "This is the way he acts when he comes in here, two or three times a month, it is. But I can get nothing out of him except the fact that he was a former valet of Count S., that he is now in charge of this house here, and that every day--for many years now--he expects the arrival of his master's family. My brother spoke to him one day about the strange noises at night; but he answered calmly, 'Yes, people say the ghosts walk about in the house.' But do not believe it, for it is not true." The hour was now come when fashion demanded that the elegant world of the city should assemble in this attractive shop. The doors opened incessantly, the place was thronged, and I could ask no further questions.
This much I knew, that Count P.'s information about the ownership and the use of the house were not correct; also that the old steward, in spite of his denial, was not living alone there, and that some mystery was hidden behind its discolored walls. How could I combine the story of the strange and grewsome singing with the appearance of the beautiful arm at the window? That arm could not be part
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