The Crest-Wave of Evolution | Page 8

them, pardon the expression, kicking up their heels in a final plunge as a preparation for that long silence.
Some time back I discussed these historical questions, particularly the correspondence between Celtic and Chinese dates, with Dr. Siren and Professor Fernholm; and they pointed out to me a similar correspondence between the dates of Scandinavian and West Asian history. I can remember but one example now: Gustavus Vasa, father of modern Sweden, founder of the present monarchy, came to the throne in 1523 and died in 1560. The last great epoch of the West Asian Cycle coincides, in the west, and reign of Suleyman the Magnificent in Turkey, from 1520 to 1566. At its eastern extremity, Babar founded the Mogul Empire in India in 1526; he reigned until 1556. On the death of Aurangzeb in 1707, the Moguls ceased to be a great power; the Battle of Pultowa, in 1709, put an end to Sweden's military greatness.
It is interesting to compare the earliest Celtic literature we have, with the earliest literature of the race which was to be the main instrument of Celtic bad karma in historical times--the Teutons. Here, as usual, common impressions are false. It is the latter, the Teutonic, that is in the minor key, and full of wistful sadness. There is an earnestness about it: a recognition of, and rather mournful acquiescence in, the mightiness of Fate, which is imagined almost always adverse. I quote these lines from William Morris, who, a Celt himself by mere blood and race, lived in and interpreted the old Teutonic spirit as no other English writer has attempted to do, mush less succeeded in doing: he is the one Teuton of English literature. He speaks of the "haunting melancholy" of the northern races--the "Thought of the Otherwhere" that
"Waileth weirdly along through all music and song From a Teuton's voice or string: ..."
Withal it was a brave melancholy that possessed them; they were equal to great deeds, and not easily to be discouraged; they could make merry, too; but in the midst of their merriment, they could not forget grim and hostile Fate:--
"There dwelt men merry-hearted and in hope exceeding great, Met the good days and the evil as they went the ways of fate."
It is literature that reveals the heart of a people who had suffered long, and learnt from their suffering the lessons of patience, humility, continuity of effort: those qualities which enable them, in their coming manvantaric period, to dominate large portions of the world.
But when we turn to the Celtic remains, the picture we find is altogether different. Their literature tells of a people, in the Biblical phrase, "with a proud look and a high stomach." It is full of flashing colors, gaiety, titanic pride. There was no grayness, no mournful twilight hue on the horizon of their mind; their 'Other-World' was only more dawn-lit, more noon-illumined, than this one; Ireland of the living was sun-bright and sparkling and glorious; but the 'Great Plain' of the dead was far more sun-bright and sparkling than Ireland. It is the literature of a people accustomed to victory and predominance. When they began to meet defeat they by no means acquiesced in it. They regarded adverse fate, not with reverence, but with contempt. They saw in sorrow no friend and instructress of the human soul; were at pains to learn no lesson from her; instead, they pitted what was their pride, but what they would have called the glory of their own souls, against her; they made no terms, asked no truce; but went on believing the human--or perhaps I should say the Celtic--soul more glorious than fate, stronger to endure and defy than she to humiliate and torment. In many sense it was a fatal attitude, and they reaped the misery of it; but they gained some wealth for the human spirit from it too. The aged Oisin has returned from Fairyland to find the old glorious order in Ireland fallen and passed during the three centuries of his absence. High Paganism has gone, and a religion meek, inglorious, and Unceltic has taken its mission thereto: tells him the gods are conquered and dead, and that the omnipotent God of the Christians reigns alone now.--"I would thy God were set on yonder hill to fight with my son Oscar!" replies Oisin. Patrick paints for him the hell to which he is destined unless he accepts Christianity; and Oisin answers:
"Put the staff in my hands! for I go to the Fenians, thou cleric, to chant The warsongs that roused them of old; they will rise, making clouds with their breath. Innumerable, singing, exultant; and hell underneath them shall pant, And demons be broken in pieces, and trampled beneath them in death."
"No," says Patrick; "none war on the masters of hell, who