The Crest-Wave of Evolution | Page 2

burst upon the perceptions of all who have not yet perceived it, as a new and burning truth; and on the other hand, there is no startling command to purity or compassion, that has not been given out by Teachers since the world began.--As for Greece, there was a brilliant flaming up of the Spirit there in the Fourth and Fifth Centuries B.C.; and its intensity, like the lights of an approaching automobile, rather obscures what lies beyond. It is the first of which we have much knowledge; so we think it was the first of all. But in fact civilization has been traveling its cyclic path all the time, all these millions of years; and there have been hundreds of ancient great empires and cultural epochs even in Europe of which we know nothing.
I had intended to begin with Greece; but these unexplored eras of old Europe are too attractive, and this first lecture must go to them, or some of them. Not to the antecedents of Greece, in Crete and elsewhere; but to the undiscovered North; and in particular to the Celtic peoples; who may serve us as an example by means of which light may be thrown on the question of racial growth, and on the racial cycles generally.
The Celtic Empire of old Europe affects us like some mysterious undiscovered planet. We know it was there by its effects on other peoples. Also, like many other forgotten histories, it has left indications of its achievement in a certain spirit, an uplift, the breath of an old traditional grandeur that has come down. But to give any historical account of it--to get a telescope that will reach and reveal it--we have not to come to that point yet.
Still, it may be allowed us to experiment with all sorts of glasses. To penetrate that gloom of ancient Europe may be quite beyond us; but guessing is permitted. Now the true art of guessing lies in an intuition for guiding indications. There is something in us that knows things directly; and it may deign at times to give hints, to direct the researches, to flash some little light on that part of us which works and is conscious in this world, and which we call our brain-minds. So although most or all of what I am going to say would be called by the scientific strictly empirical, fantastic and foolish, yet I shall venture; aware that their Aristotelio-Baconian method quite breaks down when it comes to such a search into the unknown; and that this guessing, guided by what seems to be a law, would not, perhaps, have been sneered at by Plato.
Guided by what seems to be a law;--guided, at any rate, by the knowledge that there are laws; that "God geometrizes," as Plato says: that which is within flows outward upon a design; that life precipitates itself through human affairs as it does through the forms of the crystals; that there is nothing more haphazard about the sequence of empires and civilizations, than there is about the unfolding of petals of a flower. In both cases it is the eternal rhythm, the Poetry of the Infinite, that manifests; our business is to listen so carefully as to hear, and apprehend the fact that what we hear is a poetry, a vast music, not a chaotic cacophony: catch the rhythms--perceive that there is a design--even if it takes us long to discover what the design may be.
You know Plato's idea that the world is a dodecahedron or twelve-sided figure. Now in Plato's day, much that every schoolboy knows now, was esoteric--known only to the initiated. So I think Plato would have known well enough that this physical earth is round; and that what he meant when he spoke of the dodecahedron, was something else. This, for example: that on the plane of causes--this outer plane being that of effects --there are twelve (geographical) centers, aspects, foci, facets, or what you like to call them: twelve _laya centers,_ as I think the Secret Doctrine would say: through which the forces from within play on the world without. You have read, too, in _The Secret Doctrine,_ Professor Crooke's theory, endorsed by H.P. Blavatsky, as to how the chemical elements were deposited by a spiral evolutive force, a creative impulse working outward in the form of a caduceus or lemniscate, or figure '8.' Now suppose we should discover that just as that force deposited in space, in its spiral down-working, what Crookes calls the seeds of potassium, beryllium, boron, and the rest--so such another creative force, at work on the planes of geographical space and time, rouses up or deposits in these, according to a definite pattern, this nation and that in its turn, this great age of culture after that one;