The Creative Process in the Individual | Page 2

contrary; and with such a notable example before us can we say that it is futile to enquire whether by the same method we may not unlock still more important secrets and gain some knowledge of the unseen causes which are at the back of external and visible conditions, and then by bringing these unseen causes into a better order make practical working realities of possibilities which at present seem but fantastic dreams? It is at least worth while taking a preliminary canter over the course, and this is all that this little volume professes to attempt; yet this may be sufficient to show the lay of the ground.
Now the first thing in any investigation is to have some idea of what you are looking for--to have at least some notion of the general direction in which to go--just as you would not go up a tree to find fish though you would for birds' eggs. Well, the general direction in which we all want to go is that of getting more out of Life than we have ever got out of it--we want to be more alive in ourselves and to get all sorts of improved conditions in our environment. However happily any of us may be circumstanced we can all conceive something still better, or at any rate we should like to make our present good permanent; and since we shall find as our studies advance that the prospect of increasing possibilities keeps opening out more and more widely before us, we may say that what we are in search of is the secret of getting more out of Life in a continually progressive degree. This means that what we are looking for is something personal, and that it is to be obtained by producing conditions which do not yet exist; in other words it is nothing less than the exercise of a certain creative power in the sphere of our own particular world. So, then, what we want is to introduce our own Personal Factor into the realm of unseen causes. This is a big thing, and if it is possible at all it must be by some sequence of cause and effect, and this sequence it is our object to discover. The law of Cause and Effect is one we can never get away from, but by carefully following it up we may find that it will lead us further than we had anticipated.
Now, the first thing to observe is that if we can succeed in finding out such a sequence of cause and effect as the one we are in search of, somebody else may find out the same creative secret also; and then, by the hypothesis of the case, we should both be armed with an infallible power, and if we wanted to employ this power against each other we should be landed in the "impasse" of a conflict between two powers each of which was irresistible. Consequently it follows that the first principle of this power must be Harmony. It cannot be antagonizing itself from different centers--in other words its operation in a simultaneous order at every point is the first necessity of its being. What we are in search of, then, is a sequence of cause and effect so universal in its nature as to include harmoniously all possible variations of individual expression. This primary necessity of the Law for which we are seeking should be carefully borne in mind, for it is obvious that any sequence which transgresses this primary essential must be contrary to the very nature of the Law itself, and consequently cannot be conducting us to the exercise of true creative power.
What we are seeking, therefore, is to discover how to arrange things in such an order as to set in motion a train of causation that will harmonize our own conditions without antagonizing the exercise of a like power by others. This therefore means that all individual exercise of this power is the particular application of a universal power which itself operates creatively on its own account independently of these individual applications; and the harmony between the various individual applications is brought about by all the individuals bringing their own particular action into line with this independent creative action of the original power. It is in fact another application of Euclid's axiom that things which are equal to the same thing are equal to one another; so that though I may not know for what purpose some one may be using this creative power in Pekin, I do know that if he and I both realize its true nature, we cannot by any possibility be working in opposition to one another. For these reasons, having now some general idea of what it is we are in search