I've paired. I'm coming. But what on earth's up, mother?"
Her lips shut closely.
"Remember, nine-thirty!" She turned and went back into the darkness of the Gallery.
Arthur hesitated a moment in the passage outside. Then he turned back toward the little entrance-room opposite the entrance to the ordinary Ladies' Gallery, where he found another attendant.
"Is Miss Glenwilliam here?" he inquired, carelessly.
"Yes, sir, in the front row, with Mrs. Verity and Mrs. Frant. Do you wish to speak to her, sir? The Gallery's pretty empty."
Arthur Coryston went in. The benches sloped upward, and on the lowest one, nearest the grille, he saw the lady of his quest, and was presently bending over her.
"Well," he said, flushing, "I suppose you thought it all bosh!"
"Not at all! That's what you have to say. What else can you say? You did it excellently."
Her lightly mocking eyes looked into his. His flush deepened.
"Are you going to be at the Frenshams' dance?" he asked her, presently.
"We're not invited. They're too savage with father. But we shall be at the Opera to-morrow night."
His face lightened. But no more talk was possible. A Minister was up, and people were crowding back into the Gallery. He hurriedly pressed her hand and departed.
CHAPTER II
Lady Coryston and her daughter had made a rapid and silent meal. Marcia noticed that her mother was unusually pale, and attributed it partly to the fatigue and bad air of the House of Commons, partly to the doings of her eldest brother. What were they all going to meet for after dinner--her mother, her three brothers, and herself? They had each received a formal summons. Their mother "wished to speak to them on important business." So Arthur--evidently puzzled--had paired for the evening, and would return from the House at nine-thirty; James had written to say he would come, and Coryston had wired an hour before dinner--"Inconvenient, but will turn up."
What was it all about? Some business matter clearly. Marcia knew very well that the family circumstances were abnormal. Mothers in Lady Coryston's position, when their husbands expire, generally retire to a dower-house, on a jointure; leaving their former splendors--the family mansion and the family income--behind them. They step down from their pedestal, and efface themselves; their son becomes the head of the family, and the daughter-in-law reigns in place of the wife. Nobody for many years past could ever have expected Lady Coryston to step down from anything. Although she had brought but a very modest dowry, such from earliest days had been the strength and dominance of her character, that her divine right of rule in the family had never been seriously questioned by any of her children except Coryston; although James, who had inherited money from his grandmother, was entirely independent of her, and by the help of a detached and humorous mind could often make his mother feel the stings of criticism, when others were powerless. And as for Coryston, who had become a quasi-Socialist at Cambridge, and had ever since refused to suit his opinions in the slightest degree to his mother's, his long absences abroad after taking his degree had for some years reduced the personal friction between them; and it was only since his father's death, which had occurred while he himself was in Japan, and since the terms of his father's will had been known, that Coryston had become openly and angrily hostile.
Why should Coryston, a gentleman who denounced property, and was all for taxing land and landlords into the Bankruptcy Court, resent so bitterly his temporary exclusion from the family estates? Marcia could not see that there was any logical answer. If landlordism was the curse of England, why be angry that you were not asked to be a landlord?
And really--of late--his behavior! Never coming to see his mother--writing the most outrageous things in support of the Government--speaking for Radical candidates in their very own county--denouncing by name some of their relations and old family friends: he had really been impossible!
Meanwhile Lady Coryston gave her daughter no light on the situation. She went silently up-stairs, followed by Marcia. The girl, a slight figure in white, mounted unwillingly. The big, gloomy house oppressed her as she passed through it. The classical staircase with its stone-colored paint and its niches holding bronze urns had always appeared to her since her childhood as the very top of dreariness; and she particularly disliked the equestrian portrait of her great-grandfather by an early Victorian artist, which fronted her as she ascended, in the gallery at the top of the staircase, all the more that she had been supposed from her childhood to be like the portrait. Brought up as she had been in the belief that family and heredity are the master forces of life, she resented this teasing association with the weak, silly fellow
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