The Continental Monthly, Vol. 6, No 2, August, 1864 | Page 9

arise from the most selfish and vainglorious motive, while in the former the individual is lost in the many who press eagerly to bear their part in a noble work, in this spontaneous outpouring of true and heartfelt benevolence. From this same spirit arises the wonderful success which attends the efforts of sanitary commissions and soldiers' aid associations in alleviating the sufferings and softening the privations of our soldiers in the field. With such evidences constantly appearing before our eyes of the deep and noble feelings of the American heart, who can doubt that our civilization is a progressive one, our enlightenment equal? Who can doubt the capacity of the American people for good, or look with foreboding upon our future?
Another important sign of the times, as evincing our advancing civilization, is the revival of art in our midst. In the midst of all our bustle and toil and eager strife for gain, there has ever been a something wanting to the completeness of our life, a something to fill and satisfy that yearning of the soul for ?sthetic beauty, which is at once an evidence of its progress and its capacity for diviner things. Too long have we been absorbed by the desires of our animal nature, in whose pursuit there is little gratification to that finer portion of our inner selves which will not be silenced by anything short of the deepest degradation. The people--the great people--need something--something higher, more ennobling, more tender--to fill the vacant spot in their hearts and homes, to preserve the balance between the animal and the spiritual part of their lives, and to clothe their surroundings with a higher and holier significance than can arise from the events and associations of the work-day life. In art the missing link is found, and whether it be the simple ballad in the evening circle or the modest print that graces the humble cottage walls--and the humbler the habitation the deeper the manifestation, because the more touching--it is but the expression of the people's appreciation of the needs, the capacities, and the holier aspirations of the better part of humanity. Hence the revival of art has a deep significance; it is something more than a forced, an exotic, and hence ephemeral growth; it is the manifestation of the awakening of the people to the ?sthetic sentiment; it is the actual result of the intellectual and moral needs of society; it is in itself the striving of a great people for the beautiful and true. And as such it has a broad and deep foundation in the godlike in human nature, which shall insure not only its permanence but its progress as long as the good and the true have any influence whatever upon our society. That we have had, until a comparatively late period, no art among us, is the result not of a lack of capacity to comprehend the beautiful, but of the intense and all-absorbing passion for gain which has so nearly proved the bane of our society by shutting out the consideration of better things: that art has so suddenly revived in our midst is a proof that, so far from having our humanity, our political position, our very civilization itself swallowed up in the love of the almighty dollar, as has been predicted of us by foreign wiseacres, we have been aroused to our danger and to a true appreciation of the better part of existence; which is itself an evidence of the elasticity and the recuperative energy of our social system.
In literature our progress is not so flattering. In its effects upon civilization a literature can only be judged by that portion of it which touches the popular heart, which descends to the humblest fireside, and is most eagerly sought after by the ploughboy and the operative. All other, however brilliant it may be--and the more brilliant or profound the farther it is generally removed from the minds of the masses--is to them but as the stars of a winter night, cold and distant, radiating little warmth to the longing soul, too far away to awaken more than a faintly reflected admiration. He who said, 'Give me to write the songs of a people, and I care not who makes their laws,' touched the tender spot in the great heart of humanity; he was a sage in that truest of philosophy, the study of human nature. Though we have our princes in every branch of literature, who are the result of and an honor to our civilization, yet for their own results in moulding the tastes, the habits, and the intellects of the common people, in contributing to their advancement, they fall far below the efforts of the veriest penny-a-liner. It is a lamentable fact of our society that while the