The Confession | Page 7

Mary Roberts Rinehart
much importance to it, and it gets to be an obsession."
"Very likely," I assented. "The whole thing is idiotic, anyhow."
But--was it idiotic?
I am endeavoring to set things down as they seemed to me at the time, not in the light of subsequent events. For, if this narrative has any interest at all, it is a psychological one. I have said that it is a study in fear, but perhaps it would be more accurate to say that it is a study of the mental reaction of crime, of its effects on different minds, more or less remotely connected with it.
That my analysis of my impressions in the church that morning are not colored by subsequent events is proved by the fact that under cover of that date, July 16th, I made the following entry:
"Why do Maggie and Miss Benton distrust each other?"
I realized it even then, although I did not consider it serious, as is evidenced by the fact that I follow it with a recipe for fruit gelatin, copied from the newspaper.
It was a calm and sunny Sunday morning. The church windows were wide open, and a butterfly came in and set the choir boys to giggling. At the end of my pew a stained-glass window to Carlo Benton--the name came like an echo from the forgotten past--sent a shower of colored light over Willie, turned my blue silk to most unspinsterly hues, and threw a sort of summer radiance over Miss Emily herself, in the seat ahead.
She sat quite alone, impeccably neat, even to her profile. She was so orderly, so well balanced, one stitch of her hand-sewed organdy collar was so clearly identical with every other, her very seams, if you can understand it, ran so exactly where they should, that she set me to pulling myself straight. I am rather casual as to seams.
After a time I began to have a curious feeling about her. Her head was toward the rector, standing in a sort of white nimbus of sunlight, but I felt that Miss Emily's entire attention was on our pew, immediately behind her. I find I can not put it into words, unless it was that her back settled into more rigid lines. I glanced along the pew. Willie's face wore a calm and slightly somnolent expression. But Maggie, in her far end--she is very high church and always attends--Maggie's eyes were glued almost fiercely to Miss Emily's back. And just then Miss Emily herself stirred, glanced up at the window, and turning slightly, returned Maggie's glance with one almost as malevolent. I have hesitated over that word. It seems strong now, but at the time it was the one that came into my mind.
When it was over, it was hard to believe that it had happened. And even now, with everything else clear, I do not pretend to explain Maggie's attitude. She knew, in some strange way. But she did not know that she knew--which sounds like nonsense and is as near as I can come to getting it down in words.
Willie left that night, the 16th, and we settled down to quiet days, and, for a time, to undisturbed nights. But on the following Wednesday, by my journal, the telephone commenced to bother me again. Generally speaking, it rang rather early, between eleven o'clock and midnight. But on the following Saturday night I find I have recorded the hour as 2 a. m.
In every instance the experience was identical. The telephone never rang the second time. When I went downstairs to answer it--I did not always go--there was the buzzing of the wire, and there was nothing else. It was on the twenty-fourth that I had the telephone inspected and reported in normal condition, and it is possibly significant that for three days afterward my record shows not a single disturbance.
But I do not regard the strange calls over the telephone as so important as my attitude to them. The plain truth is that my fear of the calls extended itself in a few days to cover the instrument, and more than that, to the part of the house it stood in. Maggie never had this, nor did she recognize it in me. Her fear was a perfectly simple although uncomfortable one, centering around the bedrooms where, in each bed, she nightly saw dead and gone Bentons laid out in all the decorum of the best linen.
On more than one evening she came to the library door, with an expression of mentally looking over her shoulder, and some such dialogue would follow:
"D'you mind if I turn the bed down now, Miss Agnes?"
"It's very early."
"S'almost eight." When she is nervous she cuts verbal corners.
"You know perfectly well that I dislike having the beds disturbed until nine o'clock, Maggie."
"I'm going out."
"You said that last
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