The Complete Poetical Works, vol 1 | Page 3

slender volume of poems and fragments, entitled
"Relics of Shelley", was published by Dr. Richard Garnett, C.B.--a
precious sheaf gleaned from the manuscripts preserved at Boscombe
Manor. The "Relics" constitute a salvage second only in value to the
"Posthumous Poems" of 1824. To the growing mass of Shelley's verse
yet more material was added in 1870 by Mr. William Michael Rossetti,
who edited for Moxon the "Complete Poetical Works" published in that
year. To him we owe in particular a revised and greatly enlarged
version of the fragmentary drama of "Charles I". But though not
seldom successful in restoring the text, Mr. Rossetti pushed revision
beyond the bounds of prudence, freely correcting grammatical errors,
rectifying small inconsistencies in the sense, and too lightly adopting
conjectural emendations on the grounds of rhyme or metre. In the
course of an article published in the "Westminster Review" for July,
1870, Miss Mathilde Blind, with the aid of material furnished by Dr.
Garnett, 'was enabled,' in the words of Mr. Buxton Forman, 'to supply
omissions, make authoritative emendations, and controvert erroneous
changes' in Mr. Rossetti's work; and in the more cautiously edited text
of his later edition, published by Moxon in 1878, may be traced the
influence of her strictures.
Six years later appeared a variorum edition in which for the first time
Shelley's text was edited with scientific exactness of method, and with
a due respect for the authority of the original editions. It would be
difficult indeed to over-estimate the gains which have accrued to the
lovers of Shelley from the strenuous labours of Mr. Harry Buxton
Forman, C.B. He too has enlarged the body of Shelley's poetry (Mr.
Forman's most notable addition is the second part of "The Daemon of
the World", which he printed privately in 1876, and included in his
Library Edition of the "Poetical Works" published in the same year.
See the "List of Editions", etc. at the end of Volume 3.); but, important
as his editions undoubtedly are, it may safely be affirmed that his

services in this direction constitute the least part of what we owe him.
He has vindicated the authenticity of the text in many places, while in
many others he has succeeded, with the aid of manuscripts, in restoring
it. His untiring industry in research, his wide bibliographical
knowledge and experience, above all, his accuracy, as invariable as it is
minute, have combined to make him, in the words of Professor
Dowden, 'our chief living authority on all that relates to Shelley's
writings.' His name stands securely linked for all time to Shelley's by a
long series of notable words, including three successive editions (1876,
1882, 1892) of the Poems, an edition of the Prose Remains, as well as
many minor publications--a Bibliography ("The Shelley Library",
1886)and several Facsimile Reprints of the early issues, edited for the
Shelley Society.
To Professor Dowden, whose authoritative Biography of the poet,
published in 1886, was followed in 1890 by an edition of the Poems
(Macmillans), is due the addition of several pieces belonging to the
juvenile period, incorporated by him in the pages of the "Life of
Shelley". Professor Dowden has also been enabled, with the aid of the
manuscripts placed in his hands, to correct the text of the "Juvenilia" in
many places. In 1893 Professor George E. Woodberry edited a
"Centenary Edition of the Complete Poetical Works", in which, to
quote his own words, an attempt is made 'to summarize the labours of
more than half a century on Shelley's text, and on his biography so far
as the biography is bound up with the text.' In this Centenary edition
the textual variations found in the Harvard College manuscripts, as well
as those in the manuscripts belonging to Mr. Frederickson of Brooklyn,
are fully recorded. Professor Woodberry's text is conservative on the
whole, but his revision of the punctuation is drastic, and occasionally
sacrifices melody to perspicuity.
In 1903 Mr. C.D. Locock published, in a quarto volume of seventy-five
pages, the fruits of a careful scrutiny of the Shelley manuscripts now
lodged in the Bodleian Library. Mr. Locock succeeded in recovering
several inedited fragments of verse and prose. Amongst the poems
chiefly concerned in the results of his "Examination" may be named
"Marenghi", "Prince Athanase", "The Witch of Atlas", "To Constantia",

the "Ode to Naples", and (last, not least) "Prometheus Unbound". Full
use has been made in this edition of Mr. Locock's collations, and the
fragments recovered and printed by him are included in the text.
Variants derived from the Bodleian manuscripts are marked "B." in the
footnotes.
On the state of the text generally, and the various quarters in which it
lies open to conjectural emendation, I cannot do better than quote the
following succinct and luminous account from a "Causerie" on the
Shelley manuscripts