The Complete Poems of Sir Thomas Moore | Page 3

Bards and Scotch Reviewers, had made
fun of the unbloody duel. This Moore resented, not so much as a mere
matter of ridicule as because it involved an ignoring or a denial of a
counter-statement of the matter put into print by himself. He
accordingly wrote a letter to Byron on the 1st of January 1810,
calculated to lead to further hostilities. But, as the noble poet had then
already for some months left England for his prolonged tour on the

Continent, the missive did not reach him; and a little epistolary
skirmishing, after his return in the following year, terminated in a
hearty reconciliation, and a very intimate cordiality, almost deserving
of the lofty name of friendship, on both sides.
Re-settled in London, and re-quartered upon the pleasant places of
fashion, Moore was once more a favorite at Holland House, Lansdowne
House, and Donington House, the residence of Lord Moira. His
lordship obtained a comfortable post to soothe the declining years of
Moore's father, and held out to the poet himself the prospect--which
was not however realized--of another snug berth for his own occupancy.
The United Kingdom of Great Britain and Ireland never received the
benefit of the Irish patriot's services in any public capacity at
home--only through the hands of a defaulting deputy in Bermuda: it did,
however, at length give him the money without the official
money's-worth, for in 1835, under Lord Melbourne's ministry, an
annual literary pension of £300 was bestowed upon the then elderly
poet. Nor can it be said that Moore's worth to his party, whether we
regard him as political sharpshooter or as national lyrist, deserved a less
recognition from the Whigs: he had at one time, with creditable
independence, refused to be indebted to the Tories for an appointment.
Some obloquy has at times been cast upon him on account of his
sarcasms against the Prince Regent, which, however well merited on
public grounds, have been held to come with an ill grace from the man
whose first literary effort, the Anacreon, had been published under the
auspices of his Royal Highness as dedicatee, no doubt a practical
obligation of some moment to the writer. It does not appear, however,
that the obligation went much beyond this simple acceptance of the
dedication: Moore himself declared that the Regent's further civilities
had consisted simply in asking him twice to dinner, and admitting him,
in 1811, to a fête in honor of the regency.
The life of Moore for several years ensuing is one of literary success
and social brilliancy, varied by his marrying in 1811, Miss Bessy Dyke,
a lady who made an excellent and devoted wife, and to whom he was
very affectionately attached, although the attractions and amenities of
the fashionable world caused from time to time considerable inroads

upon his domesticity. After a while, he removed from London, with his
wife and young family, to Mayfield Cottage, near Ashbourne,
Derbyshire--a somewhat lonely site. His Irish Melodies, the work by
which he will continue best known, had their origin in 1797, when his
attention was drawn to a publication named Bunting's Irish Melodies,
for which he occasionally wrote the words. In 1807 he entered into a
definite agreement with Mr. Power on this subject, in combination with
Sir J. Stevenson, who undertook to compose the accompaniments. The
work was prolonged up to the year 1834; and contributed very
materially to Moore's comfort in money matters and his general
prominence--as his own singing of the Melodies in good society kept
up his sentimental and patriotic prestige, and his personal lionizing, in a
remarkable degree. He played on the piano, and sang with taste, though
in a style resembling recitative, and not with any great power of voice:
in speaking, his voice had a certain tendency to hoarseness, but its
quality became flute-like in singing. In 1811 he made another essay in
the musical province; writing, at the request of the manager of the
Lyceum Theatre, an operetta named _M.P., or the Bluestocking_. It
was the reverse of a stage-success; and Moore, in collecting his poems,
excluded this work, save as regards some of the songs comprised in it.
In 1808 had appeared anonymously, the poems of Intolerance and
Corruption_, followed in 1809 by _The Sceptic. _Intercepted Letters, or
The Twopenny Postbag, by Thomas Brown the Younger_, came out in
1812: it was a huge success, and very intelligibly such, going through
fourteen editions in one year. In the same year the project of writing an
oriental poem--a class of work greatly in vogue now that Byron was
inventing Giaours and Corsairs--was seriously entertained by Moore.
This project took shape in Lalla Rookh, written chiefly at Mayfield
Cottage--a performance for which Mr. Longman the publisher paid the
extremely large sum of £3150 in advance: its