most great births, the bare announcement sufficed. One of the most beautiful of the world's books had been born into the world, and was still to be bought in its birthday form--for eighteen-pence.
In 1816, Mr. Marston calculates, the market value was about £4 4s. In 1847 Dr. Bethune estimated it at £12 12s. In 1883 Westwood reckoned it "from £70 to £80 or even more" and since then copies have fetched £235 and £310, though in 1894 we have a sudden drop at Sotheby's to £150-- which, however, was more likely due to the state of the copy than to any diminution in the zeal of Waltonian collectors, a zeal, indeed, which burns more ardently from year to year.
Sufficiently out of reach of the poor collector as it is at present, it is probable that it will mount still higher, and consent only to belong to richer and richer men. And thus, in course of time, this facsimile will, in clerical language, find an increasing sphere of usefulness; for it is to those who have more instant demands to satisfy with their hundred-pound notes that this facsimile is designed to bring consolation. If it is not the rose itself, it is a photographic refection of it, and it will undoubtedly give its possessor a sufficiently faithful idea of its original.
But, apart from the satisfaction of such curiosity, the facsimile has a literary value, in that it differs very materially from succeeding editions. The text by which "The Compleat Angler" is generally known is that of the fifth edition, published in 1676, the last which Walton corrected and finally revised, seven years before his death. But in the second edition (1655) the book was already very near to its final shape, for Walton had enlarged it by about a third, and the dialogue was now sustained by three persons, Piscator, Venator and Auceps, instead of two--the original "Viator" also having changed his name to "Venator." Those interested in tracing the changes will find them all laboriously noted in Sir Harris Nicolas's great edition. Of the further additions made in the fifth edition, Sir Harris Nicolas makes this just criticism: "It is questionable," he says, "whether the additions which he then made to it have increased its interest. The garrulity and sentiments of an octogenarian are very apparent in some of the alterations; and the subdued colouring of religious feeling which prevails throughout the former editions, and forms one of the charms of the piece, is, in this impression, so much heightened as to become almost obtrusive."
There is a third raison d'être for this facsimile, which to name with approbation will no doubt seem impiety to many, but which, as a personal predilection, I venture to risk--there is no Cotton! The relation between Walton and Cotton is a charming incongruity to contemplate, and one stands by their little fishing-house in Dovedale as before an altar of friendship. Happy and pleasant in their lives, it is good to see them still undivided in their deaths--but, to my mind, their association between the boards of the same book mars a charming classic. No doubt Cotton has admirably caught the spirit of his master, but the very cleverness with which he has done it increases the sense of parody with which his portion of the book always offends me. Nor can I be the only reader of the book for whom it ends with that gentle benediction--"And upon all that are lovers of virtue, and dare trust in his providence, and be quiet, and go a Angling"--and that sweet exhortation from I Thess. iv. 11--"Study to be quiet."
After the exquisite quietism of this farewell, it is distracting to come precipitately upon the fine gentleman with the great wig and the Frenchified airs. This is nothing against "hearty, cheerful Mr. Cotton's strain" of which, in Walton's own setting and in his own poetical issues, I am a sufficient admirer. Cotton was a clever literary man, and a fine engaging figure of a gentleman, but, save by the accident of friendship, he has little more claim to be printed along with Walton than the gallant Col. Robert Venables, who, in the fifth edition, contributed still a third part, entitled "The Experienc'd Angler: or, Angling Improv'd. Being a General Discourse of Angling," etc., to a book that was immortally complete in its first.
While "The Compleat Angler" was regarded mainly as a text-book for practical anglers, one can understand its publisher wishing to make it as complete as possible by the addition of such technical appendices; but now, when it has so long been elevated above such literary drudgery, there is no further need for their perpetuation. For I imagine that the men to-day who really catch fish, as distinguished from the men who write sentimentally about angling, would
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