The Collaborators | Page 3

"Let us leave it. Let us get to work; and in time, as the story progresses, it will seem inevitable. We shall see it in front of us, and we shall not be able to avoid it. Let us get to work"--he glanced at his watch and laughed--"or, rather, let us get to bed. It is past four. This way madness lies. When we collaborate, we will write in the morning. Our book shall be a book of the dawn, and not of the darkness, despite its sombre theme."
"No, no; it must be a book of the darkness."
"Of the darkness, then, but written in the dawn. Your tragedy tempered by my trust in human nature, and the power that causes things to right themselves. Good-night, old boy."
"Good-night."
When Henley had left the room, Tren-chard sat for a moment with his head sunk low on his breast and his eyes half closed. Then, with a jerk, he gained his feet, went to the door, opened it, and looked forth on the deserted landing. He listened, and heard Henley moving to and fro in his bedroom. Then he shut the door, took off his smoking-coat, and bared his left arm. There was a tiny blue mark on it.
"What will the dénouement be?" he whispered to himself, as he felt in his waistcoat pocket with a trembling hand.

II.
The book was moving onward by slow degrees and with a great deal of discussion.
In those days Henley and Trenchard lived much with sported oaks. They were battling for fame. They were doing all they knew. Literary gatherings missed them. First nights knew them no more. The grim intensity that was always characteristic of Trenchard seemed in some degree communicated to Henley. He began to more fully understand what the creating for one's self of an atmosphere meant. The story he and his friend were fashioning fastened upon him like some strange, determined shadow from the realms of real life, gripped him more and more closely, held him for long spells of time in a new and desolate world. For the book so far was a deepening tragedy, and although, at times, Henley strove to resist the paramount influence which the genius of Trenchard began to exercise over him, he found himself comparatively impotent, unable to shed gleams of popular light upon the darkness of the pages. The power of the tale was undoubted. Henley felt that it was a big thing that they two were doing; but would it be a popular thing--a money-making thing? That was the question. He sometimes wished with all his heart they had chosen a different subject to work their combined talent upon. The germ of the work seemed only capable of tragic treatment, if the book were to be artistic. Their hero was a man of strong intellect, of physical beauty, full at first of the joy of life, chivalrous, a believer in the innate goodness of human nature. Believing in goodness, he believed also ardently in influence. In fact, he was a worshipper of influence, and his main passion was to seize upon the personalities of others, and impose his own personality upon them. He loved to make men and women see with his eyes and hear with his ears, adopt his theories as truth, take his judgment for their own. All that he thought was--to him. He never doubted himself, therefore he could not bear that those around him should not think with him, act towards men and women as he acted, face life as he faced it. Yet he was too subtle ever to be dogmatic. He never shouted in the market-place. He led those with whom he came in contact as adroitly as if he had been evil, and to the influence of others he was as adamant.
Events brought into his life a woman, complex, subtle too, with a naturally noble character and fine understanding, a woman who, like so many women, might have been anything, and was far worse than nothing--a hopeless, helpless slave, the victim of the morphia habit, which had gradually degraded her, driven her through sloughs of immorality, wrecked a professional career which at one time had been almost great, shattered her constitution, though not all her still curious beauty, and ruined her, to all intents and purposes, body and soul. The man and the woman met, and in a flash the man saw what she had been, what she might have been, what, perhaps, in spite of all, she still was, somewhere, somehow. In her horrible degradation, in her dense despair, she fascinated him. He could only see the fire bursting out of the swamp. He could only feel on his cheek the breath of the spring in the darkness of the charnel-house. He knew that she gave to him his