The Cold Embrace | Page 2

for the last time she asked the old question, and they give
her for the last time the dreary answer, "No; no letter."
For the last time--for tomorrow is the day appointed for the bridal. Her
father will hear no entreaties; her rich suitor will not listen to her
prayers. They will not be put off a day--an hour; to-night alone is
hers--this night, which she may employ as she will.
She takes another path than that which leads home; she hurries through
some by-streets of the city, out on to a lonely bridge, where he and she
had stood so often in the sunset, watching the rose-coloured light glow,
fade, and die upon the river.

* * *
He returns from Florence. He had received her letter. That letter,
blotted with tears, entreating, despairing--he had received it, but he
loved her no longer. A young Florentine, who has sat to him for a
model, had bewitched his fancy--that fancy which with him stood in
place of a heart--and Gertrude had been half-forgotten. If she had a rich
suitor, good; let her marry him; better for her, better far for himself. He
had no wish to fetter himself with a wife. Had he not his art
always?--his eternal bride, his unchanging mistress.
Thus he thought it wiser to delay his journey to Brunswick, so that he
should arrive when the wedding was over--arrive in time to salute the
bride.
And the vows--the mystical fancies--the belief in his return, even after
death, to the embrace of his beloved? O, gone out of his life; melted
away for ever, those foolish dreams of his boyhood.
So on the fifteenth of June he enters Brunswick, by that very bridge on
which she stood, the stars looking down on her, the night before. He
strolls across the bridge and down by the water's edge, a great rough
dog at his heels, and the smoke from his short meerschaum-pipe curling
in blue wreaths fantastically in the pure morning air. He has his
sketch-book under his arm, and attracted now and then by some object
that catches his artist's eye, stops to draw: a few weeds and pebbles on
the river's brink--a crag on the opposite shore--a group of pollard
willows in the distance. When he has done, he admires his drawing,
shuts his sketch-book, empties the ashes from his pipe, refills from his
tobacco-pouch, sings the refrain of a gay drinking-song, calls to his dog,
smokes again, and walks on. Suddenly he opens his sketch-book again;
this time that which attracts him is a group of figures: but what is it?
It is not a funeral, for there are no mourners.
It is not a funeral, but a corpse lying on a rude bier, covered with an old
sail, carried between two bearers.

It is not a funeral, for the bearers are fishermen--fishermen in their
everyday garb.
About a hundred yards from him they rest their burden on a bank--one
stands at the head of the bier, the other throws himself down at the foot
of it.
And thus they form the perfect group; he walks back two or three paces,
selects his point of sight, and begins to sketch a hurried outline. He has
finished it before they move; he hears their voices, though he cannot
hear their words, and wonders what they can be talking of. Presently he
walks on and joins them.
"You have a corpse there, my friends?" he says.
"Yes; a corpse washed ashore an hour ago."
"Drowned?"
"Yes, drowned. A young girl, very handsome."
"Suicides are always handsome," says the painter; and then he stands
for a little while idly smoking and meditating, looking at the sharp
outline of the corpse and the stiff folds of the rough canvas covering.
Life is such a golden holiday for him--young, ambitious, clever--that it
seems as though sorrow and death could have no part in his destiny.
At last he says that, as this poor suicide is so handsome, he should like
to make a sketch of her.
He gives the fishermen some money, and they offer to remove the
sailcloth that covers her features.
No; he will do it himself. He lifts the rough, coarse, wet canvas from
her face. What face?
The face that shone on the dreams of his foolish boyhood; the face
which once was the light of his uncle's home. His cousin Gertrude--his

betrothed!
He sees, as in one glance, while he draws one breath, the rigid
features--the marble arms--the hands crossed on the cold bosom; and,
on the third finger of the left hand, the ring which had been his
mother's--the golden serpent; the ring which, if he were to become
blind, he could select from a thousand others by the touch alone.
But he is a genius and