the door had cut him short, and, on permission being given, the door was thrown sharply open and a stout, dapper man walked swiftly into the room, set his silk hat with a clap on the table, and said, "Good evening, gentlemen," with a stress on the last syllable that somehow marked him out as a martinet, military, literary and social. He had a large head streaked with black and grey, and an abrupt black moustache, which gave him a look of fierceness which was contradicted by his sad sea-blue eyes.
Basil immediately said to me, "Let us come into the next room, Gully," and was moving towards the door, but the stranger said:
"Not at all. Friends remain. Assistance possibly."
The moment I heard him speak I remembered who he was, a certain Major Brown I had met years before in Basil's society. I had forgotten altogether the black dandified figure and the large solemn head, but I remembered the peculiar speech, which consisted of only saying about a quarter of each sentence, and that sharply, like the crack of a gun. I do not know, it may have come from giving orders to troops.
Major Brown was a V.C., and an able and distinguished soldier, but he was anything but a warlike person. Like many among the iron men who recovered British India, he was a man with the natural beliefs and tastes of an old maid. In his dress he was dapper and yet demure; in his habits he was precise to the point of the exact adjustment of a tea-cup. One enthusiasm he had, which was of the nature of a religion--the cultivation of pansies. And when he talked about his collection, his blue eyes glittered like a child's at a new toy, the eyes that had remained untroubled when the troops were roaring victory round Roberts at Candahar.
"Well, Major," said Rupert Grant, with a lordly heartiness, flinging himself into a chair, "what is the matter with you?"
"Yellow pansies. Coal-cellar. P. G. Northover," said the Major, with righteous indignation.
We glanced at each other with inquisitiveness. Basil, who had his eyes shut in his abstracted way, said simply:
"I beg your pardon."
"Fact is. Street, you know, man, pansies. On wall. Death to me. Something. Preposterous."
We shook our heads gently. Bit by bit, and mainly by the seemingly sleepy assistance of Basil Grant, we pieced together the Major's fragmentary, but excited narration. It would be infamous to submit the reader to what we endured; therefore I will tell the story of Major Brown in my own words. But the reader must imagine the scene. The eyes of Basil closed as in a trance, after his habit, and the eyes of Rupert and myself getting rounder and rounder as we listened to one of the most astounding stories in the world, from the lips of the little man in black, sitting bolt upright in his chair and talking like a telegram.
Major Brown was, I have said, a successful soldier, but by no means an enthusiastic one. So far from regretting his retirement on half-pay, it was with delight that he took a small neat villa, very like a doll's house, and devoted the rest of his life to pansies and weak tea. The thought that battles were over when he had once hung up his sword in the little front hall (along with two patent stew-pots and a bad water-colour), and betaken himself instead to wielding the rake in his little sunlit garden, was to him like having come into a harbour in heaven. He was Dutch-like and precise in his taste in gardening, and had, perhaps, some tendency to drill his flowers like soldiers. He was one of those men who are capable of putting four umbrellas in the stand rather than three, so that two may lean one way and two another; he saw life like a pattern in a freehand drawing-book. And assuredly he would not have believed, or even understood, any one who had told him that within a few yards of his brick paradise he was destined to be caught in a whirlpool of incredible adventure, such as he had never seen or dreamed of in the horrible jungle, or the heat of battle.
One certain bright and windy afternoon, the Major, attired in his usual faultless manner, had set out for his usual constitutional. In crossing from one great residential thoroughfare to another, he happened to pass along one of those aimless-looking lanes which lie along the back-garden walls of a row of mansions, and which in their empty and discoloured appearance give one an odd sensation as of being behind the scenes of a theatre. But mean and sulky as the scene might be in the eyes of most of us, it was not altogether so in the
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