The Cliff-Dwellers

The Cliff-Dwellers
A Novel
By Henry B. Fuller

First published in 1893 by Harper Brothers
Republished in 1968 by The Gregg Press Incorporated 171 East
Ridgewood Avenue Ridgewood, New Jersey, U.S.A.
Copyright 1968 by The Gregg Press, Inc.
Library of Congress Catalog Card Number: 68-23721
Printed in United States of America

AMERICANS IN FICTION
In the domain of literature the play may once have been the chief
abstract and chronicle of the times, but during the nineteenth and
twentieth centuries the novel has usurped the chief place in holding the
mirror up to the homely face of society. On this account, if for no other,
the Gregg Press series of reprints of American fiction merits the
attention of all students of Americana and of librarians interested in
building up adequate collections dealing with the social and literary
history of the United States. Most of the three score and ten novels or
volumes of short stories included in the series enjoyed considerable
fame in their day but have been so long out of print as to be virtually
unobtainable in the original editions.
Included in the list are works by writers not presently fashionable in
critical circles but nevertheless well known to literary historians among

them Joel Chandler Harris, Harriet Beecher Stowe, Thomas Bailey
Aldrich, and William Gilmore Simms. A substantial element in the list
consists of authors who are known especially for their graphic portrayal
of a particular American setting, such as Gertrude Atherton (California),
Arlo Bates (Boston), Alice Brown (New England), Edward Eggleston
(Indiana), Mary Wilkins Freeman (New England), Henry B. Fuller
(Chicago), Richard M. Johnston (Georgia), James Lane Allen
(Kentucky), Mary N. Murfree (Ten nessee), and Thomas Nelson Page
(Virginia). There is even a novel by Frederic Remington, one of the
most popular painters of the Western cowboy and Indian and another,
and impressive minor classic on the early mining region of Colorado,
from the pen of Mary Hallock Foote. The professional student of
American literature will rejoice in the opportunity afforded by the
collection to extend his reading of fiction belonging to what is called
the "local-color move ment" a major current in the development of the
national belleslettres.
Among the titles in the series are also a number of famous historical
novels. Silas Weir Mitchell's Hugh Wynne is one of the very best
fictional treatments of the American Revolution. John Esten Cooke is
the foremost Southern writer of his day who dealt with the Civil War.
The two books by Thomas Dixon are among the most famous novels
on the Reconstruction Era, with sensational disclosures of the original
Ku Klux Klan in action. They supplied the grist for the first great
movie "spectacular" The Birth of a Nation (1915).
Paul Leicester Ford's The Honorable Peter Stirling is justly ranked
among the top American novels which portray American politics in
action a subject illuminated by other novelists in the Gregg list A. H.
Lewis, Frances H. Burnett, and Alice Brown, for example. Economic
problems are forcefully put before the reader in works by Aldrich, Mrs.
Freeman, and John Hay, whose novels illustrate the ominous concern
over the early battles between labor and capital. From the sweatshops
of Eastern cities in which newly arrived immigrants toiled for pittances,
to the Western mining camps where the laborers packed revolvers, the
working class of the times enters into various other stories in -the
Gregg list. The capitalist class, also, comes in for attention, with an

account of a struggle for the ownership of a railroad in Samuel
Merwin's The Short-Line War and with the devastating documentation
of the foibles of the newly rich and their wives in the narratives of
David Graham Phillips. It was Phillips whose annoying talent for the
exposure of abuses led Theodore Roosevelt to put the. term
"muck-raker" into currency.
While it is apparent that local-color stories, the historical novel, and the
economic novel have all been borne in mind in choosing the titles for
this important series of reprints, it is evident that careful consideration
has also been given to treatments of various minority elements in the
American population. The Negro, especially, but also the Indian, the
half-breed, Creoles, Cajuns and even the West Coast Japanese appear
as characters in various of these novels or volumes of short stories and
sketches. Joel Chandler Harris's Free Joe will open the eyes of readers
who know that author solely as the creator of humorous old Uncle
Remus. And there is a revelatory volume of dialect tales, written by a
Negro author, The Conjure Woman by Charles W. Chesnutt.
In literary conventions and the dominating attitudes toward life, the
works in the Gregg series range from the adventurous romance
illustrated so well by Mayne Reid or the polite urbanity of Owen
Wister to the mordant irony of Kate