The City of Domes | Page 3

John D. Barry
YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.
INDEMNITY
You will indemnify and hold Michael Hart, the Foundation, and its trustees and agents, and any volunteers associated with the production and distribution of Project Gutenberg-tm texts harmless, from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Foundation of 20% of the gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Literary Archive Foundation" the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of public domain and licensed works that can be freely distributed in machine readable form.
The Project gratefully accepts contributions of money, time, public domain materials, or royalty free copyright licenses. Money should be paid to the: "Project Gutenberg Literary Archive Foundation."
If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: [email protected]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.12.12.00*END*

This etext was produced by David A. Schwan

The City of Domes
A Walk with an Architect About the Courts and Palaces of the Panama Pacific International ExposItion with a Discussion of Its Architecture - Its Sculpture - Its Mural Decorations Its Coloring - And Its Lighting - Preceded by a History of Its Growth

by John D. Barry

To the architects, the artists and the artisans and to the men of affairs who sustained them in the cooperative work that created an exposition of surpassing beauty, unique among the expositions of the world.

Contents
Chapter
Preface
Introduction I. The View from the Hill II. The Approach III. In the South Gardens IV. Under the Tower of Jewels V. The Court of the Universe VI. On the Marina VII. Toward the Court of the Four Seasons VIII. The Court of the Four Seasons IX. The Palace of Fine Arts from across the Lagoon X. The Palace of Fine Arts at Close Range XI. At the Palace of Horticulture XII. The Half Courts XIII. Near Festival Hall XIV. The Palace of Machinery XV. The Court of the Ages XVI. The Brangwyns XVII. Watching the Lights Change XVIII. The Illuminating and the Reflections Features that Ought to he Noted by Day Features that Ought to be Noted by Night Index

Illustrations

"The Pioneer Mother" Design of the Exposition made in 1912 Site of the Exposition before Construction was Begun Fountain of Youth Fountain of El Dorado Court of the Universe "Air" and "Fire" "Nations of the West" and "Nations of the Fast "The Setting Sun" and "The Rising Sun" "Music" and "Dancing Girls "Hope and Her Attendants" Star Figure; Medallion Representing "Art" California Building Spanish
Continue reading on your phone by scaning this QR Code

 / 59
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.