The Circular Study | Page 6

Anna Katharine Green
this strange being, losing all semblance to his former self, entered upon a series of pantomimic actions which to the two men who watched him seemed both to explain and illustrate the crime which had just been enacted there.
With every appearance of passion, he stood contemplating the empty air before him, and then, with one hand held stretched out behind him in a peculiarly cramped position, he plunged with the other toward a table from which he made a feint of snatching something which he no sooner closed his hand upon than he gave a quick side-thrust, still at the empty air, which seemed to quiver in return, so vigorous was his action and so evident his intent.
The reaction following this thrust; the slow unclosing of his hand from an imaginary dagger; the tottering of his body backward; then the moment when with wide open eyes he seemed to contemplate in horror the result of his own deed;--these needed no explanation beyond what was given by his writhing features and trembling body. Gradually succumbing to the remorse or terror of his own crime, he sank lower and lower, until, though with that one arm still stretched out, he lay in an inert heap on the floor.
"It is what I saw him do upstairs," murmured Styles into the ear of the amazed detective. "He has evidently been driven insane by his own act."
Mr. Gryce made no answer. Here was a problem for the solution of which he found no precedent in all his past experience.
CHAPTER III.
THE MUTE SERVITOR.
Meanwhile the man who, to all appearance, had just re-enacted before them the tragedy which had so lately taken place in this room, rose to his feet, and, with a dazed air as unlike his former violent expression as possible, stooped for the glass he had let fall, and was carrying it out when Mr. Gryce called to him:
"Wait, man! You needn't take that glass away. We first want to hear how your master comes to be lying here dead."
It was a demand calculated to startle any man. But this one showed himself totally unmoved by it, and was passing on when Styles laid a detaining hand on his shoulder.
"Stop!" said he. "What do you mean by sliding off like this? Don't you hear the gentleman speaking to you?"
This time the appeal told. The glass fell again from the man's hand, mingling its clink (for it struck the floor this time and broke) with the cry he gave--which was not exactly a cry either, but an odd sound between a moan and a shriek. He had caught sight of the men who were seeking to detain him, and his haggard look and cringing form showed that he realized at last the terrors of his position. Next minute he sought to escape, but Styles, gripping him more firmly, dragged him back to where Mr. Gryce stood beside the bearskin rug on which lay the form of his dead master.
Instantly, at the sight of this recumbent figure, another change took place in the entrapped butler. Joy--that most hellish of passions in the presence of violence and death--illumined his wandering eye and distorted his mouth; and, seeking no disguise for the satisfaction he felt, he uttered a low but thrilling laugh, which rang in unholy echo through the room.
Mr. Gryce, moved in spite of himself by an abhorrence which the irresponsible condition of this man seemed only to emphasize, waited till the last faint sounds of this diabolical mirth had died away in the high recesses of the space above. Then, fixing the glittering eye of this strange creature with his own, which, as we know, so seldom dwelt upon that of his fellow-beings, he sternly said:
"There now! Speak! Who killed this man? You were in the house with him, and should know."
The butler's lips opened and a string of strange gutturals poured forth, while with his one disengaged hand (for the other was held to his side by Styles) he touched his ears and his lips, and violently shook his head.
There was but one interpretation to be given to this. The man was deaf and dumb.
The shock of this discovery was too much for Styles. His hand fell from the other's arms, and the man, finding himself free, withdrew to his former place in the room, where he proceeded to enact again and with increased vivacity first the killing of and then the mourning for his master, which but a few moments before had made so suggestive an impression upon them. This done, he stood waiting, but this time with that gleam of infernal joy in the depths of his quick, restless eyes which made his very presence in this room of death seem a sacrilege and horror.
Styles could not stand it. "Can't you speak?" he
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