The Chaperon | Page 9

Henry James
as a favour to him or to herself; she presented it as a duty, and wound up with the proposition: "It's not fair to him, it's not kind, not to let him speak to you before you go."
"What does he want to say?" Rose demanded.
"Go in and find out."
She really knew, for she had found out before; but after standing uncertain an instant she went in. "The parlour" was the name that had always been borne by a spacious sitting-room downstairs, an apartment occupied by her father during his frequent phases of residence in Hill Street--episodes increasingly frequent after his house in the country had, in consequence, as Rose perfectly knew, of his spending too much money, been disposed of at a sacrifice which he always characterised as horrid. He had been left with the place in Hertfordshire and his mother with the London house, on the general understanding that they would change about; but during the last years the community had grown more rigid, mainly at his mother's expense. The parlour was full of his memory and his habits and his things--his books and pictures and bibelots, objects that belonged now to Eric. Rose had sat in it for hours since his death; it was the place in which she could still be nearest to him. But she felt far from him as Captain Jay rose erect on her opening the door. This was a very different presence. He had not liked Captain Jay. She herself had, but not enough to make a great complication of her father's coldness. This afternoon however she foresaw complications. At the very outset for instance she was not pleased with his having arranged such a surprise for her with her grandmother and her aunt. It was probably aunt Julia who had sent for him; her grandmother wouldn't have done it. It placed him immediately on their side, and Rose was almost as disappointed at this as if she had not known it was quite where he would naturally be. He had never paid her a special visit, but if that was what he wished to do why shouldn't he have waited till she should be under her mother's roof? She knew the reason, but she had an angry prospect of enjoyment in making him express it. She liked him enough, after all, if it were measured by the idea of what she could make him do.
In Bertram Jay the elements were surprisingly mingled; you would have gone astray, in reading him, if you had counted on finding the complements of some of his qualities. He would not however have struck you in the least as incomplete, for in every case in which you didn't find the complement you would have found the contradiction. He was in the Royal Engineers, and was tall, lean and high- shouldered. He looked every inch a soldier, yet there were people who considered that he had missed his vocation in not becoming a parson. He took a public interest in the spiritual life of the army. Other persons still, on closer observation, would have felt that his most appropriate field was neither the army nor the church, but simply the world--the social, successful, worldly world. If he had a sword in one hand and a Bible in the other he had a Court Guide concealed somewhere about his person. His profile was hard and handsome, his eyes were both cold and kind, his dark straight hair was imperturbably smooth and prematurely streaked with grey. There was nothing in existence that he didn't take seriously. He had a first-rate power of work and an ambition as minutely organised as a German plan of invasion. His only real recreation was to go to church, but he went to parties when he had time. If he was in love with Rose Tramore this was distracting to him only in the same sense as his religion, and it was included in that department of his extremely sub-divided life. His religion indeed was of an encroaching, annexing sort. Seen from in front he looked diffident and blank, but he was capable of exposing himself in a way (to speak only of the paths of peace) wholly inconsistent with shyness. He had a passion for instance for open-air speaking, but was not thought on the whole to excel in it unless he could help himself out with a hymn. In conversation he kept his eyes on you with a kind of colourless candour, as if he had not understood what you were saying and, in a fashion that made many people turn red, waited before answering. This was only because he was considering their remarks in more relations than they had intended. He had in his face no expression whatever save the one just
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