The Centaur | Page 3

was, in a word, of deep and ever-shifting moods, and with more difficulty than most in recognizing the underlying self of which these outer aspects were projections masquerading as complete personalities.
The underlying ego that unified these projections was of the type touched with so sure a hand in the opening pages of an inspired little book: The Plea of Pan. O'Malley was useless as a citizen and knew it. Sometimes--he was ashamed of it as well.
Occasionally, and at the time of this particular "memorable adventure," aged thirty, he acted as foreign correspondent; but even as such he was the kind of newspaper man that not merely collects news, but discovers, reveals, creates it. Wise in their generation, the editors who commissioned him remembered when his copy came in that they were editors. A roving commission among the tribes of the Caucasus was his assignment at the moment, and a better man for the purpose would have been hard to find, since he knew beauty, had a keen eye for human nature, divined what was vital and picturesque, and had, further, the power to set it down in brief terms born directly of his vivid emotions.
When first I knew him he lived--nowhere, being always on the move. He kept, however, a dingy little room near Paddington where his books and papers accumulated, undusted but safe, and where the manuscripts of his adventures were found when his death made me the executor of his few belongings. The key was in his pocket, carefully ticketed with a bone label. And this, the only evidence of practical forethought I ever discovered in him, was proof that something in that room was deemed by him of value--to others. It certainly was not the heterogeneous collection of second-hand books, nor the hundreds of unlabeled photographs and sketches. Can it have been the MSS. of stories, notes, and episodes I found, almost carefully piled and tabulated with titles, in a dirty kitbag of green Willesden canvas?
Some of these he had told me (with a greater vividness than he could command by pen); others were new; many unfinished. All were unusual, to say the least. All, too, had obviously happened to himself at some period of his roving career, though here and there he had disguised his own part in them by Hoffmann's device of throwing the action into the third person. Those told to me by word of mouth I could only feel were true, true for himself at least. In no sense were they mere inventions, but arose in moments of vision upon a structure of solid events. Ten men will describe in as many different ways a snake crossing their path; but, besides these, there exists an eleventh man who sees more than the snake, the path, the movement. O'Malley was some such eleventh man. He saw the thing whole, from some kind of inner bird's-eye view, while the ten saw only limited aspects of it from various angles. He was accused of adding details, therefore, because he had divined their presence while still below the horizon. Before they emerged the others had already left.
By which I mean that he saw in commonplace events the movement of greater tides than others saw. At one remove of time or distance--a minute or a mile--he perceived all. While the ten chattered volubly about the name of the snake, he was caught beyond by the beauty of the path, the glory of the running glide, the nature of the forces that drove, hindered, modified.
The others reasoned where the snake was going, its length in inches and its speed per second, while he, ignoring such superficial details, plunged as it were into the very nature of the creature's being. And in this idiosyncrasy, which he shared with all persons of mystical temperament, is exemplified a certain curious contempt for Reason that he had. For him mere intellectuality, by which the modern world sets such store, was a valley of dry bones. Its worship was a worship of the form. It missed the essential inner truth because such inner truth could be known only by being it, feeling it. The intellectual attitude of mind, in a word, was critical, not creative, and to be unimaginative seemed to him, therefore, the worst form of unintelligence.
"The arid, sterile minds!" he would cry in a burst of his Celtic enthusiasm. "Where, I ask ye, did the philosophies and sciences of the world assist the progress of any single soul a blessed inch?"
Any little Dreamer in his top-floor back, spinning by rushlight his web of beauty, was greater than the finest critical intelligence that ever lived. The one, for all his poor technique, was stammering over something God had whispered to him, the other merely destroying thoughts invented by the brain of man.
And this