The Celibates | Page 5

our hands do now present you; Alas! your fleeting honors Will fade as they."
This native air (as sweet as that adapted by Chateaubriand to /Ma soeur, te souvient-il encore/), sung in this little town of the Brie district, must have been to the ears of a Breton maiden the touchstone of imperious memories, so faithfully does it picture the manners and customs, the surroundings and the heartiness of her noble old land, where a sort of melancholy reigns, hardly to be defined; caused, perhaps, by the aspect of life in Brittany, which is deeply touching. This power of awakening a world of grave and sweet and tender memories by a familiar and sometimes lively ditty, is the privilege of those popular songs which are the superstitions of music,--if we may use the word "superstition" as signifying all that remains after the ruin of a people, all that survives their revolutions.
As he finished the first couple, the singer, who never took his eyes from the attic curtain, saw no signs of life. While he sang the second, the curtain stirred. When the words "Receive these flowers" were sung, a youthful face appeared; a white hand cautiously opened the casement, and a girl made a sign with her head to the singer as he ended with the melancholy thought of the simple verses,--"Alas! your fleeting honors will fade as they."
To her the young workman suddenly showed, drawing it from within his jacket, a yellow flower, very common in Brittany, and sometimes to be found in La Brie (where, however, it is rare),--the furze, or broom.
"Is it really you, Brigaut?" said the girl, in a low voice.
"Yes, Pierrette, yes. I am in Paris. I have started to make my way; but I'm ready to settle here, near you."
Just then the fastening of a window creaked in a room on the first floor, directly below Pierrette's attic. The girl showed the utmost terror, and said to Brigaut, quickly:--
"Run away!"
The lad jumped like a frightened frog to a bend in the street caused by the projection of a mill just where the square opens into the main thoroughfare; but in spite of his agility his hob-nailed shoes echoed on the stones with a sound easily distinguished from the music of the mill, and no doubt heard by the person who opened the window.
That person was a woman. No man would have torn himself from the comfort of a morning nap to listen to a minstrel in a jacket; none but a maid awakes to songs of love. Not only was this woman a maid, but she was an old maid. When she had opened her blinds with the furtive motion of the bat, she looked in all directions, but saw nothing, and only heard, faintly, the flying footfalls of the lad. Can there be anything more dreadful than the matutinal apparition of an ugly old maid at her window? Of all the grotesque sights which amuse the eyes of travellers in country towns, that is the most unpleasant. It is too repulsive to laugh at. This particular old maid, whose ear was so keen, was denuded of all the adventitious aids, of whatever kind, which she employed as embellishments; her false front and her collarette were lacking; she wore that horrible little bag of black silk on which old women insist on covering their skulls, and it was now revealed beneath the night-cap which had been pushed aside in sleep. This rumpled condition gave a menacing expression to the head, such as painters bestow on witches. The temples, ears, and nape of the neck, were disclosed in all their withered horror,--the wrinkles being marked in scarlet lines that contrasted with the would-be white of the bed-gown which was tied round her neck by a narrow tape. The gaping of this garment revealed a breast to be likened only to that of an old peasant woman who cares nothing about her personal ugliness. The fleshless arm was like a stick on which a bit of stuff was hung. Seen at her window, this spinster seemed tall from the length and angularity of her face, which recalled the exaggerated proportions of certain Swiss heads. The character of their countenance--the features being marked by a total want of harmony--was that of hardness in the lines, sharpness in the tones; while an unfeeling spirit, pervading all, would have filled a physiognomist with disgust. These characteristics, fully visible at this moment, were usually modified in public by a sort of commercial smile,--a bourgeois smirk which mimicked good-humor; so that persons meeting with this old maid might very well take her for a kindly woman. She owned the house on shares with her brother. The brother, by-the-bye, was sleeping so tranquilly in his own chamber that the orchestra of the Opera-house