The Cavalry General | Page 9

now, let us suppose it is the occasion of the march-past,[10] in the
grounds of the Lyceum, before the javelin-throwing. The scene would
gain in beauty if the tribal squadrons were to ride in line of columns[11]
as if for battle, in two divisions, five squadrons in the one and five in
the other, with the hipparch and the phylarchs at their head, in such
formation as to allow the whole breadth of the racecourse to be filled.
Then, as soon as they have gained the top[12] of the incline, which
leads down to the theatre opposite, it would, I think, be obviously
useful here to show the skill with which your troopers can gallop down
a steep incline[13] with as broad a front as the nature of the ground
permits. I am quite clear that your troopers, if they can trust their own
skill in galloping, will take kindly to such an exhibition; while as
certainly, if unpractised, they must look to it that the enemy does not
give them a lesson in the art some day, perforce.
[10] {dielaunosin en Lukeio}. See A. Martin, op. cit. 196; cf. Arist.
"Peace," 356.
[11] Or, as we might say, "in regimental order," "with the commanding
officer in front and their respective squadron-leaders"; and for the
Lyceum see "Hell." I. i. 33; II. iv. 27.
[12] Lit. "the apex of the confronting theatre."
[13] See "Horsemanship," viii. 6; "Anab." IV. viii. 28.

To come to the test manouvres.[14] The order in which the men will
ride with showiest effect on these occasions has been already noted.[15]
As far as the leader is himself concerned, and presuming he is mounted
on a powerful horse, I would suggest that he should each time ride
round on the outer flank; in which case he will himself be kept
perpetually moving at a canter, and those with him, as they become the
wheeling flank, will, by turns, fall into the same pace, with this result:
the spectacle presented to the senate will be that of an ever rapidly
moving stream of cavaliers; and the horses having, each in turn, the
opportunity to recover breath, will not be overdone.
[14] {dokimasiais}, reviews and inspections. See A. Martin, op. cit. p.
333.
[15] Where? Some think in a lost passage of the work (see Courier, p.
111, n. 1); or is the reference to ch. ii. above? and is the scene of the
{dokimasiai} Phaleron? There is no further refernece to {ta Phaleroi}.
Cf. S. 1, above. See Aristot. "Ath. Pol." 49 (now the locus classicus on
the subject), and Dr. Sandys ad loc. The scene is represented on a
patera from Orvieto, now in the Berlin Museum, reproduced and fully
described in "The Art of Horsemanship by Xenophon," translated, with
chapters on the Greek Riding-Horse, and with notes, by Morris H.
Morgan, p. 76.
On occasions when the display takes place in the hippodrome,[16] the
best arrangement would be, in the first place, that the troops should fill
the entire space with extended front, so forcing out the mob of people
from the centre;[17] and secondly, that in the sham fight[18] which
ensues, the tribal squadrons, swiftly pursuing and retiring, should
gallop right across and through each other, the two hipparchs at their
head, each with five squadrons under him. Consider the effect of such a
spectacle: the grim advance of rival squadrons front to front; the charge;
the solemn pause as, having swept across the hippodrome, they stand
once more confronting one another; and then the trumpet sounds,
whereat a second and yet swifter hostile advance, how fine the
effect!--and once again they are at the halt; and once again the trumpet
sounds, and for the third time, at the swiftest pace of all, they make a
final charge across the field, before dismissal; after which they come to
a halt en masse, in battle order; and, as now customary,[19] ride up to
salute the senate, and disband. These evolutions will at once approve

themselves, I think, not only for their novelty, but for their resemblacne
to real warfare. The notion that the hipparch is to ride at a slower pace
than his phylarchs, and to handle his horse precisely in their style,
seems to me below the dignity of the office.
[16] In the hippodrome near Munychia, I suppose.
[17] Lit. ". . . it would be beautiful to form with extended front, so as to
fill the hippodrome with horses and drive out the people from the
central space, beautiful to . . ." The new feature of the review would
seem to have been the introduction of a sham fight in three parts, down
to the customary advance of the whole corps, {epi phalaggos}. Cf. Virg.
"Aen." v. 545 foll. But see Martin, op.