The Cathedral | Page 7

Joris-Karl Huysmans
Madonna of the Saint-Sulpice shops, a street-corner Queen.
"These two rules are more or less universal," said Durtal to himself. "As to the Son, it would seem that He never now will reveal Himself in human form to the masses. Since His appearance to the Blessed Mary Margaret, whom He employed as a mouthpiece to address the people, He has been silent. He keeps in the background, giving precedence to His Mother.
"He, it is true, reserves for Himself a dwelling in the secret places, the hidden regions, the strongholds of the soul, as Saint Theresa calls them; but His presence is unseen and His words spoken within us, and generally not apprehended by means of the senses."
Durtal ceased speaking, confessing to himself how inane were these reflections, how powerless the human reason to investigate the inconceivable purposes of the Almighty; and again his thoughts turned to that journey to Dauphiné which haunted his memory.
"Ah! but the chain of the High Alps and the peaks of La Salette," said he to himself; "that huge white hotel, that church coloured with dirty yellow lime-wash, vaguely Byzantine and vaguely Romanesque in its architecture, and that little cell with the plaster Christ nailed to a flat black wooden Cross--that tiny Sanctuary plainly white-washed, and so small that one could step across it in any direction--they were pregnant with her presence, all the same!"
"Surely She revisited that spot, in spite of Her apparent desertion, to comfort all comers; She seemed so close at hand, so attentive and so grieving, in the evening as one sat alone by the light of a candle, that the soul seemed to burst open like a pod shedding the fruit of sin, the seeds of evil deeds; and repentance, that had been so tardily evolved, and sometimes so indefinite, became so suddenly despotic and unmistakable that the penitent dropped on his knees by the bed, and buried his head sobbing in the sheets. Ah, those were evenings of mortal dulness and yet sweetly sad! The soul was rent, its very fibres laid bare, but was not the Virgin at hand, so pitiful, so motherly, that after, the worst was over She took the bleeding soul in her arms and rocked it to sleep like a sick child.
"Then, during the day, the church afforded a refuge from the frenzy of giddiness that came over one; the eye, bewildered by the precipices on every side, distracted by the sight of the clouds that suddenly gathered below and steamed off in white fleece from the sides of the rocks, found rest under the shelter of those walls.
"And finally, to make up for the horrors of the scene and of the statues, to mitigate the grotesqueness of the inn-servants, who had beards like sappers and clothes like little boys--the caps, and holland blouses with belts, and shiny black breeches, like cast iron, of the children at the Saint Nicolas school in Paris--extraordinary characters, souls of divine simplicity expanded there."
And Durtal recollected the admirable scene he had watched there one morning.
He was sitting on the little plateau, in the icy shade of the church, gazing before him at the graveyard and the motionless swell of mountain tops. Far away, in the very sky, a string of beads moved on, one by one, on the ribbon of path that edged the precipice. And by degrees these specks, at first merely dark, assumed the bright hues of dresses, assumed the form of coloured bells surmounted by white knobs, and at last took shape as a line of peasant women wearing white caps.
And still in single file they came down the square.
After crossing themselves as they passed the cemetery, they went each to drink a cup of water at the spring and then turned round; and Durtal, who was watching them, saw this:
At their head walked an old woman of at least a hundred, very tall and still upright, her head covered by a sort of hood from which her stiff, wavy hair escaped in tangled grey locks like iron wire. Her face was shrivelled like the peel of an onion, and so thin that, looking at her in profile, daylight could be seen through her skin.
She knelt down at the foot of the first statue, and behind her, her companions, girls of about eighteen for the most part, clasped their hands and shut their eyes; and slowly a change came over them.
Under the breath of prayer, the soul, buried under the ashes of worldly cares, flamed up, and the air that fanned it made it glow like an inward fire, lighting up the thick cheeks, the stolid, heavy features. It smoothed out the crackled surface of wrinkles, softened in the younger women the vulgarity of chapped red lips, gave colour to the dull brown flesh, overflowed in the
Continue reading on your phone by scaning this QR Code

 / 162
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.