The Card | Page 8

expectations.
"Can I have the next one?" he said.
"Oh, yes!" Nellie timidly whispered.
"It's a polka, and you aren't very good at polking, you know," Ruth warned him. "Still, Nellie will pull you through."
Nellie laughed, in silver. The na?ve child thought that Ruth was trying to joke at Denry's expense. Her very manifest joy and pride in being seen with the unique Mr Machin, in being the next after the Countess to dance with him, made another mirror in which Denry could discern the reflection of his vast importance.
At the supper, which was worthy of the hospitable traditions of the Chell family (though served standing-up in the police-court), he learnt all the gossip of the dance from Ruth Earp; amongst other things that more than one young man had asked the Countess for a dance, and had been refused, though Ruth Earp for her part declined to believe that aldermen and councillors had utterly absorbed the Countess's programme. Ruth hinted that the Countess was keeping a second dance open for him, Denry. When she asked him squarely if he meant to request another from the Countess, he said no, positively. He knew when to let well alone, a knowledge which is more precious than a knowledge of geography. The supper was the summit of Denry's triumph. The best people spoke to him without being introduced. And lovely creatures mysteriously and intoxicatingly discovered that programmes which had been crammed two hours before were not, after all, quite full.
"Do tell us what the Countess was laughing at?" This question was shot at him at least thirty times. He always said he would not tell. And one girl who had danced with Mr Stanway, who had danced with the Countess, said that Mr Stanway had said that the Countess would not tell either. Proof, here, that he was being extensively talked about!
Towards the end of the festivity the rumour floated abroad that the Countess had lost her fan. The rumour reached Denry, who maintained a culpable silence. But when all was over, and the Countess was departing, he rushed down after her, and, in a dramatic fashion which demonstrated his genius for the effective, he caught her exactly as she was getting into her carriage.
"I've just picked it up," he said, pushing through the crowd of worshippers.
"On! thank you so much!" she said. And the Earl also thanked Denry. And then the Countess, leaning from the carriage, said, with archness in her efficient smile: "You do pick things up easily, don't you?"
And both Demo and the Countess laughed without restraint, and the pillars of Bursley society were mystified.
Denry winked at Jock as the horses pawed away. And Jock winked back.
The envied of all, Denry walked home, thinking violently. At a stroke he had become possessed of more than he could earn from Duncalf in a month. The faces of the Countess, of Ruth Earp, and of the timid Nellie mingled in exquisite hallucinations before his tired eyes. He was inexpressibly happy. Trouble, however, awaited him.
CHAPTER II
THE WIDOW HULLINS'S HOUSE
I
The simple fact that he first, of all the citizens of Bursley, had asked a countess for a dance (and not been refused) made a new man of Denry Machin. He was not only regarded by the whole town as a fellow wonderful and dazzling, but he so regarded himself. He could not get over it. He had always been cheerful, even to optimism. He was now in a permanent state of calm, assured jollity. He would get up in the morning with song and dance. Bursley and the general world were no longer Bursley and the general world; they had been mysteriously transformed into an oyster; and Denry felt strangely that the oyster-knife was lying about somewhere handy, but just out of sight, and that presently he should spy it and seize it. He waited for something to happen. And not in vain.
A few days after the historic revelry, Mrs Codleyn called to see Denry's employer. Mr Duncalf was her solicitor. A stout, breathless, and yet muscular woman of near sixty, the widow of a chemist and druggist who had made money before limited companies had taken the liberty of being pharmaceutical. The money had been largely invested in mortgage on cottage property; the interest on it had not been paid, and latterly Mrs Codleyn had been obliged to foreclose, thus becoming the owner of some seventy cottages. Mrs Codleyn, though they brought her in about twelve pounds a week gross, esteemed these cottages an infliction, a bugbear, an affront, and a positive source of loss. Invariably she talked as though she would willingly present them to anybody who cared to accept-- "and glad to be rid of 'em!" Most owners of property talk thus. She particularly hated paying the rates on them.
Now there had recently