The Captains Toll-Gate | Page 7

house, with its main
building, two cottages (or lodges), and courtyards, for his nephew
Bushrod, to whom he had given the land. Through the wooded park
runs the old road, now grass grown, over which Braddock marched to
his celebrated "defeat," guided by the youthful George Washington,
who had surveyed the whole region for Lord Fairfax. During the civil
war the place twice escaped destruction because it had once been the
property of Washington.
But it was not for its historical associations, but for the place itself, that
Mr. Stockton purchased it. From the main road to the house there is a
drive of three-quarters of a mile through a park of great forest-trees and
picturesque groups of rocks. On the opposite side of the house extends
a wide, open lawn; and here, and from the piazzas, a noble view of the
valley and the Blue Ridge Mountains is obtained. Besides the park and
other grounds, there is a farm at Claymont of considerable size. Mr.
Stockton, however, never cared for farming, except in so far as it
enabled him to have horses and stock. But his soul delighted in the big,
old terraced garden of his West Virginia home. Compared with other
gardens he had had, the new one was like paradise to the common
world. At Claymont several short stories were written. John Gayther's
Garden was prepared for publication here by connecting stories
previously published into a series, told in a garden, and suggested by
the one at Claymont. John Gayther, however, was an invention. Kate
Bonnet and The Captain's Toll-Gate were both written at Claymont.
[Illustration: A CORNER IN MR. STOCKTON'S STUDY AT
CLAYMONT. Showing the desk at which all his later books were
written.]
Mr. Stockton was permitted to enjoy this beautiful place only three
years. They were years of such rare pleasure, however, that we can
rejoice that he had so much joy crowded into so short a space of his life,
and that he had it at its close. Truly life was never sweeter to him than
at its end, and the world was never brighter to him than when he shut

his eyes upon it. He was returning from a winter in New York to his
beloved Claymont, in good health, and full of plans for the summer and
for his garden, when he was taken suddenly ill in Washington, and died
three days later, on April 20, 1902, a few weeks after Kate Bonnet was
published in book form.
Mr. Stockton passed away at a ripe age--sixty-eight years. And yet his
death was a surprise to us all. He had never been in better health,
apparently; his brain was as active as ever; life was dear to him; he
seemed much younger than he was. He had no wish to give up his work;
no thought of old age; no mental decay. His last novels, his last short
stories, showed no falling-off. They were the equals of those written in
younger years. Nor had he lost the public interest. He was always sure
of an audience, and his work commanded a higher price at the last than
ever before. His was truly a passing away. He gently glided from the
homes he had loved to prepare here to one already prepared for him in
heaven, unconscious that he was entering one more beautiful than even
he had ever imagined.
Mr. Stockton was the most lovable of men. He shed happiness all
around him, not from conscious effort but out of his own bountiful and
loving nature. His tender heart sympathized with the sad and
unfortunate, but he never allowed sadness to be near, if it were possible
to prevent it. He hated mourning and gloom. They seemed to paralyze
him mentally until his bright spirit had again asserted itself, and he had
recovered his balance. He usually looked either upon the best, or the
humorous side of life. Pie won the love of every one who knew
him--even that of readers who did not know him personally, as many
letters testify. To his friends his loss is irreparable, for never again will
they find his equal in such charming qualities of head and heart.
[Illustration: THE UPPER TERRACES OF MR. STOCKTON'S
GARDEN AT CLAYMONT.]
This is not the place for a critical estimate of the work of Frank R.
Stockton.[2] His stories are, in great part, a reflex of himself. The
bright outlook on life; the courageous spirit; the helpfulness; the sense
of the comic rather than the tragic; the love of domestic life; the
sweetness of pure affection; live in his books as they lived in himself.
He had not the heart to make his stories end unhappily. He knew that
there is much of the tragic in human lives, but he