nor correct 
demeanour. The two women were intimate friends until her husband's 
notorious infidelities and erraticisms when under the periodical 
influence of alcohol killed Mrs. Belmont. Neither Don Roberto nor 
Polk drank to excess, and they kept their mistresses in more decent 
seclusion than is the habit of the average San Franciscan. It would 
never occur to Mrs. Yorba to suspect her husband or any other man of 
infidelity, did she live in California an hundred years, and Mrs. Polk 
was too indifferent to give the matter a thought. 
Although she lived in retirement, rarely venturing out into the winds 
and fogs of San Francisco, Mrs. Polk surrounded herself with all the 
luxuries of a pampered woman of wealth and fashion. Her house was 
magnificent, her private apartments almost stifling in their 
sumptuousness. Polk squeezed every dollar before he parted with it, but 
his wife had long since accomplished the judicious exercise of a violent 
Spanish temper, and her bills were seldom disputed. 
Magdaléna and Helena loved these scented gorgeous apartments, and 
ran through the connecting gardens daily to see her. Their delight was 
to sit at her feet and listen to the tales of California when the grandee 
owned the land, when the caballero, in gorgeous attire, sang at the 
gratings of the beauties of Monterey. Mrs. Polk would sing these old 
love-songs of Spain to the accompaniment of the guitar which had 
entranced her caballeros in the sala of her girlhood; and Helena, who 
had a charming voice, learned them all--to the undoing of her own 
admirers later on. It was she who asked a thousand questions of that 
Arcadian time, and Mrs. Polk responded with enthusiasm. Doubtless 
she exaggerated the splendours, the brilliancy, the unleavened pleasure; 
but it was a time far behind her, and she was happy again in the 
rememoration. As for Magdaléna, she seldom spoke. She listened with 
fixed eyes and bated breath to those descriptions of the beautiful 
women of her race, seeing for the time her soul's face as beautiful, 
gazing at her reflected image aghast when she turned suddenly upon 
one of the long mirrors. Her soul sang in accompaniment to her aunt's 
rich voice, and her hands moved unconsciously as those listless 
Spanish fingers swept the guitar. When Helena imperiously demanded
to be taught, and quickly became as proficient as her teacher, 
Magdaléna kept her eyes on the floor lest the others should see the 
dismay in them. Had it occurred to Mrs. Polk to ask her niece if she 
would like to learn these old songs of her race, Magdaléna would have 
shaken her head shyly, realising even sooner than she did that there was 
no medium for the music in her soul, as there was none for the thoughts 
in her mind. Although her aunt loved her, she did not scruple to tell her 
that she was not to be either a beautiful or a brilliant woman; but 
although Magdaléna made no reply, she had a profound belief that the 
Virgin would in time grant her passionate nightly prayers for a 
beautiful face and an agile tongue. Beauty was her right; no woman of 
her father's house had ever been plain, and she had convinced herself 
that if she were a good girl the Virgin would acknowledge her rights by 
her eighteenth birthday. As her intellect developed, she was haunted by 
an uneasy scepticism of miracles, particularly after she learned to draw, 
but she still prayed; it was a dream she could not relinquish. Nor was 
this all she prayed for. She had all the Californian's indolence, which 
was ever at war with the intellect she had inherited from her New 
England ancestors. Her most delectable instinct was to lie in the sun or 
on the rug by the fire all day and dream; and she was thoroughly 
convinced that the Virgin aided her in the fight for mental energy, and 
was the prime factor in the long periods of victory of mind over 
temperament. 
And only her deathless ambition enabled her to keep pace with Helena. 
She sat up late into the night poring over lessons that her brilliant friend 
danced through while dressing in the morning. Her memory was bad, 
and she never mastered spelling; even after her schooldays were over, 
she always carried a little dictionary in her pocket. She laboured for 
years at the piano, not only under her father's orders, but because she 
passionately loved music, but she had neither ear nor facility, and to her 
importunities for both the Virgin gave no heed. 
And the bitterness of it all lay in the fact that she was not stupid; she 
was fully aware that her intellect was something more than 
commonplace; but the machinery was heavy, and, so far as she could 
see, there    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
