The Bride of the Mistletoe | Page 3

and the production of a race of divine-and-human half-breeds. It is now the festival of the Immortal Child appearing in the midst of mortal children. It is now the new festival of man's remembrance of his errors and his charity toward erring neighbors. It has latterly become the widening festival of universal brotherhood with succor for all need and nighness to all suffering; of good will warring against ill will and of peace warring upon war.
And thus for all who have anywhere come to know it, Christmas is the festival of the better worldly self. But better than worldliness, it is on the Shield to-day what it essentially has been through many an age to many people--the symbolic Earth Festival of the Evergreen; setting forth man's pathetic love of youth--of his own youth that will not stay with him; and renewing his faith in a destiny that winds its ancient way upward out of dark and damp toward Eternal Light.
This is a story of the Earth Festival on the Earth Shield.

I. THE MAN AND THE SECRET
A man sat writing near a window of an old house out in the country a few years ago; it was afternoon of the twenty-third of December.
One of the volumes of a work on American Forestry lay open on the desk near his right hand; and as he sometimes stopped in his writing and turned the leaves, the illustrations showed that the long road of his mental travels--for such he followed--was now passing through the evergreens.
Many notes were printed at the bottoms of the pages. They burned there like short tapers in dim places, often lighting up obscure faiths and customs of our puzzled human race. His eyes roved from taper to taper, as gathering knowledge ray by ray. A small book lay near the large one. It dealt with primitive nature-worship; and it belonged in the class of those that are kept under lock and key by the libraries which possess them as unsafe reading for unsafe minds.
Sheets of paper covered with the man's clear, deliberate handwriting lay thickly on the desk. A table in the centre of the room was strewn with volumes, some of a secret character, opened for reference. On the tops of two bookcases and on the mantelpiece were prints representing scenes from the oldest known art of the East. These and other prints hanging about the walls, however remote from each other in the times and places where they had been gathered, brought together in this room of a quiet Kentucky farmhouse evidence bearing upon the same object: the subject related in general to trees and in especial evergreens.
While the man was immersed in his work, he appeared not to be submerged. His left hand was always going out to one or the other of three picture-frames on the desk and his fingers bent caressingly.
Two of these frames held photographs of four young children--a boy and a girl comprising each group. The children had the air of being well enough bred to be well behaved before the camera, but of being unruly and disorderly out of sheer health and a wild naturalness. All of them looked straight at you; all had eyes wide open with American frankness and good humor; all had mouths shut tight with American energy and determination. Apparently they already believed that the New World was behind them, that the nation backed them up. In a way you believed it. You accepted them on the spot as embodying that marvellous precocity in American children, through which they early in life become conscious of the country and claim it their country and believe that it claims them. Thus they took on the distinction of being a squad detached only photographically from the rank and file of the white armies of the young in the New World, millions and millions strong, as they march, clear-eyed, clear-headed, joyous, magnificent, toward new times and new destinies for the nation and for humanity--a kinder knowledge of man and a kinder ignorance of God.
The third frame held the picture of a woman probably thirty years of age. Her features were without noticeable American characteristics. What human traits you saw depended upon what human traits you saw with.
The hair was dark and abundant, the brows dark and strong. And the lashes were dark and strong; and the eyes themselves, so thornily hedged about, somehow brought up before you a picture of autumn thistles--thistles that look out from the shadow of a rock. They had a veritable thistle quality and suggestiveness: gray and of the fields, sure of their experience in nature, freighted with silence.
Despite grayness and thorniness, however, you saw that they were in the summer of their life-bloom; and singularly above even their beauty of blooming they held what is rare in